{"id":29166,"date":"2024-06-13T16:34:48","date_gmt":"2024-06-13T14:34:48","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/ecrin\/"},"modified":"2025-02-13T13:52:25","modified_gmt":"2025-02-13T12:52:25","slug":"ecrin","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/ecrin\/","title":{"rendered":"Ecrin"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">Ecrin<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">1024 Architecture<\/h2>\n\n\n\n<p>2024<\/p>\n\n\n\n<p>Fontaine de la Rotonde<\/p>\n\n\n\n<p>In-situ laser system<\/p>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFO<\/h5>\n\n\n\n<p><strong>Fri. 8 and Sat. 9 Nov. 2024\u2028<\/strong>&#13;\n<strong>7pm &gt; 11pm<\/strong><\/p>\n\n\n\n<p>Rotonde Fountain&#13;\nAix-en-Provence&#13;\nFree admission<\/p>\n\n\n\n<p class=\"has-small-font-size\">Programme presented as part of the Biennale d&#8217;Aix<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>The Rotonde fountain will be staged like a precious object, surrounded by 16 laser beams that create a moving, immaterial case to protect the architecture. The installation operates on three scales: that of the fountain, that of the square and that of the entire city. When not striking the white stones of the fountain, the lasers point directly at the sky, where they strike the clouds. These beams emerge through the roofs of buildings, creating a landmark in the city during these two evenings.<\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FAate-des-LumiA&#xA8;res-2023_Place-des-Jacobins-08_12_2023-HD-A&#xA9;BriceROBERT-03-1024x683.jpg\" alt=\"\" class=\"wp-image-27305\" style=\"aspect-ratio:1.7777777777777777;object-fit:cover;width:1208px;height:auto\"\/><figcaption class=\"wp-element-caption\">\u00a9 Brice Robert<\/figcaption><\/figure>\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/1024-architecture\/\">1024 Architecture<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>1024 operates at the crossroads of art and architecture, combining spatial practices, digital technologies and visual creation. Merging disciplines and media, the studio considers architecture and inhabited spaces as evolving structures. Audiovisual installations become perennial devices, architecture is dismantled as temporary structures, scenography emerges as artworks, and multimedia performances are transformed into immersive real-time experiences. From one-night projects to permanent installations, 1024 architecture creates original works that resonate with their environment.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><\/p>\n<\/div>\n<\/div>\n\n<p><\/p>\n","protected":false},"featured_media":28578,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[136],"class_list":["post-29166","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/28578"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29166"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29166"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}