{"id":29189,"date":"2024-06-12T16:36:30","date_gmt":"2024-06-12T14:36:30","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/lux-domus\/"},"modified":"2025-02-13T14:08:28","modified_gmt":"2025-02-13T13:08:28","slug":"lux-domus","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/lux-domus\/","title":{"rendered":"Lux domus"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Lux domus<\/h1>\n\n<h2 class=\"wp-block-heading is-style-default\">Josep Poblet<\/h2>\n\n<p><p>Architecture of light<\/p><\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFO :<\/h5>\n\n\n\n<p><div class=\"flex min-w-0 flex-1\">&#13;\n<div class=\"flex min-w-0\">&#13;\n<div class=\"ms-2 truncate\">&#13;\n&#13;\n<b><strong>November 8 and 9, 2024<\/strong><\/b>&#13;\n<b><strong>7pm &gt; 11pm<\/strong><\/b>&#13;\n&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div><\/p>\n\n\n\n<p>La Manufacture Amphitheatre&#13;\nAix-en-Provence&#13;\nFree admission<\/p>\n\n\n\n<p class=\"has-small-font-size\">Programme presented as part of the Biennale d&#8217;Aix<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><span style=\"font-weight: 400;\">architecture because it offers protection greater than any other building. In its immaterial sense, it also denotes the concept of family and lineage. This is the guiding concept of Lux Domus: an architecture of light designed to be a refuge, a place of welcome and tranquillity, for a calm, measured stroll that allows us to reflect as the slow geometric transformation of light completely alters our perception of our surroundings. A parallel idea of this project is to deal with light from the perspective of materiality\u2014an almost solid materiality\u2014which brings us closer to a dimension to which we are undoubtedly unfamiliar. It incidentally reminds us of a concept we often forget: the essence of any space lies in the interaction of the elements that define it<\/span><\/p>\n<\/div>\n<\/div>\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0186-copia-1-1024x676.jpg\" alt=\"\" class=\"wp-image-27323\" style=\"width:1208px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0186-copia-1-1024x676.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0186-copia-1-300x198.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0186-copia-1-768x507.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0186-copia-1-1536x1014.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0186-copia-1-2048x1353.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Rafael Vargas<\/figcaption><\/figure>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"856\" data-id=\"27319\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0036-1024x856.jpg\" alt=\"\" class=\"wp-image-27319\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0036-1024x856.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0036-300x251.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0036-768x642.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0036-1536x1285.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0036-2048x1713.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Rafael Vargas<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"648\" data-id=\"27325\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0030-1024x648.jpg\" alt=\"\" class=\"wp-image-27325\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0030-1024x648.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0030-300x190.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0030-768x486.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0030-1536x973.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/LLUMBCN-20240201-0030-2048x1297.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Rafael Vargas<\/figcaption><\/figure>\n<\/figure>\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/josep-poblet\/\">Josep Poblet<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>After studying economics and music, Josep Poblet began his career as a designer when he decided to quit his office job and return to manual labor, as he had done in his youth. Influenced by his family&#8217;s crafts &#8211; the land, the machines, the workshop &#8211; he often draws on these origins for the perception and meaning of his designs. From the outset, he has also shown a particular interest in light: its materiality and capacity for movement, contrast, the definition of space and emptiness, among other things. He currently combines teaching at design schools and collaborating with other studios with the activities of his own studio, which he set up in Barcelona and moved to his hometown of Vila-seca in 2022.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p><strong>CR\u00c9DITS &amp; MENTIONS<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>This work of art was commissioned by the Llum BCN 2024 light festival.&#13;\nWith the support of Institut Ramon Llull<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"625\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Manu_noir-1.png\" alt=\"\" class=\"wp-image-28663\" style=\"width:121px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Manu_noir-1.png 872w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Manu_noir-1-300x215.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Manu_noir-1-768x550.png 768w\" sizes=\"auto, (max-width: 872px) 100vw, 872px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<div style=\"height:106px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"has-small-font-size\"><\/p>\n","protected":false},"featured_media":27320,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[136],"class_list":["post-29189","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27320"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29189"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29189"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}