{"id":29192,"date":"2024-06-10T16:37:50","date_gmt":"2024-06-10T14:37:50","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/ainsi-passe-la-gloire-du-monde\/"},"modified":"2025-02-26T15:37:47","modified_gmt":"2025-02-26T14:37:47","slug":"ainsi-passe-la-gloire-du-monde","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/ainsi-passe-la-gloire-du-monde\/","title":{"rendered":"Ainsi passe la gloire du monde"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">Ainsi passe la gloire du monde<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Claudie Gagnon (QC\/CA)<\/h2>\n\n\n\n<p>Installation<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>A mnemonic installation that draws on the language of 17th-century Flemish still-life, memento mori and vanitas, <em>Ainsi passe la gloire du monde <\/em>(Thus Passes the Glory of the World) allegorizes the ephemeral destiny of human beings and the emptiness of their commitments, like everyday burials and inventories of mythological heritages.<\/p>\n\n\n\n<p>With nods to art history, the piece stages unusual encounters between the familiar and the wild, the organic and the everyday, weaving together personal elements and universal principles. Telling stories about the permanence of humans and objects through artifacts, this work questions the content of things that outlast us, emphasizing the fragility of existence, the fleeting nature and aging of Beings<\/p>\n\n\n\n<p>The installation comes to life in subtle ways, generating in turn the rotation of objects or the pulsation of sound, in reference to the notion of time, routine mechanisms and cycles inscribed in perpetual recommencements.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9284-1024x683.jpg\" alt=\"\" class=\"wp-image-27433\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9284-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9284-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9284-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9284-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9284-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 St\u00e9phane Bourgeois<\/figcaption><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"27435\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9290-1-683x1024.jpg\" alt=\"\" class=\"wp-image-27435\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9290-1-683x1024.jpg 683w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9290-1-200x300.jpg 200w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9290-1-768x1152.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9290-1-1024x1536.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9290-1-1365x2048.jpg 1365w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/DSF9290-1-scaled.jpg 1507w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">\u00a9 St\u00e9phane Bourgeois<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/claudie-gagnon\/\">Claudie Gagnon<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Originally from Montreal, Claudie Gagnon is a self-taught multidisciplinary artist who has been active for over thirty years, and who now lives and works in Quebec City.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her practice takes many forms: installation, living painting, sculpture, video, photography, food art, creations for young audiences, collage and art integrated into architecture. Her work is not only presented in art venues \u2013 artist-run centers, galleries, museums, theaters \u2013 but also in places chosen for their potential to stimulate the creation of in situ works (barns, gardens, factories, disused churches, apartments earmarked for demolition, etc.).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She recycles everyday objects as well as concepts and more or less notorious works from the history of art, in addition to taking an interest in the visual and sonic markers that make up our high and popular cultures. Her creations are imbued with playfulness and poetry, at once enchanting and disquieting, provoking delight and unease, vacillating between the ordinary and the extraordinary. Perishable elements, such as food and plants, express the life cycles and the effects of time on all things.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her work has been shown in artist-run centers, galleries, museums and festivals in North America, Asia and Europe. Her pieces are part of the collections of the MNBAQ, MACM, MBAM, Mus\u00e9e d\u2019art de Joliette and several private collections. She has held creative residencies in the Paris and Mexico City studios of the Conseil des arts et des lettres du Qu\u00e9bec.<\/span><\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\">Design : Claudie Gagnon The artist thanks the Conseil des arts et des lettres du Qu\u00e9bec for its financial support. A co-production of Avatar and Productions Recto-Verso. Photos: St\u00e9phane Bourgeois.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>Ainsi passe la gloire du monde<\/em> by Claudie Gagnon is a coproduction between Avatar and Productions Recto-Verso.<\/p>\n\n\n\n<p class=\"has-small-font-size\">This exhibition is presented as part of CHRONIQUES \u2013 la Biennale des Imaginaires Num\u00e9riques, in a coproduction between Friche Belle de Mai, Molior, Seconde Nature, and Avatar, with the support of the Conseil des arts et des lettres du Qu\u00e9bec and the Minist\u00e8re de la Culture et des Communications du Qu\u00e9bec.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"509\" data-id=\"28827\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png\" alt=\"\" class=\"wp-image-28827\" style=\"width:77px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png 600w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png-300x255.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"309\" data-id=\"28700\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png\" alt=\"\" class=\"wp-image-28700\" style=\"width:243px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-300x91.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-768x232.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1536x464.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-2048x618.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"featured_media":27434,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[28],"class_list":["post-29192","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27434"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29192"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29192"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}