{"id":29204,"date":"2024-06-10T12:13:59","date_gmt":"2024-06-10T10:13:59","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/wheel-of-telefortune\/"},"modified":"2025-02-26T15:22:27","modified_gmt":"2025-02-26T14:22:27","slug":"wheel-of-telefortune","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/wheel-of-telefortune\/","title":{"rendered":"Wheel of Telefortune"},"content":{"rendered":"\n
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Wheel of Telefortune<\/h1>\n\n\n\n

Telemagic<\/h2>\n\n\n\n

2024<\/p>\n\n\n\n

Interactive installation<\/p>\n<\/div>\n\n\n\n

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\u00a9 Sander Heezen<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Sander Heezen<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Sander Heezen<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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This fairground attraction from another universe is capable of predicting your future behavior. Insert a coin, and the analog disk with life’s categories begins to spin.<\/p>\n\n\n\n

As soon as you press the button, the algorithm starts working. From a database of various sentence structures, the algorithm creates a suitable digital horoscope for you on the spot. The possible outcomes are infinite and everchanging. Let the algorithm speak for you.<\/p>\n\n\n\n

With the support of the Mondriaan fund, a public cultural funding organization dedicated to the visual arts and cultural heritage.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Artists<\/h4>\n\n\n
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Telemagic<\/a><\/h2>\n
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Telemagic is an art+technology collective consisting of the spiritual surfers Ymer Marinus (they\/them), Roos Groothuizen (she\/her) and Cyanne van den Houten (they\/she). They make sense of the mysteries that revolve around the human connection to digital technology and believe that invisible technology is not something to be feared. In their work, the machine is always in control. As an open media-lab, Telemagic experiments with the future of media by creating manifestations, tools and interventions through (interdisciplinary) collaboration and hacking.<\/span><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":27699,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[28,95],"class_list":["post-29204","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27699"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29204"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29204"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}