{"id":29205,"date":"2024-06-10T11:53:26","date_gmt":"2024-06-10T09:53:26","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/bolso-de-pantalla\/"},"modified":"2024-09-17T15:10:26","modified_gmt":"2024-09-17T13:10:26","slug":"bolso-de-pantalla","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/bolso-de-pantalla\/","title":{"rendered":"Bolso de pantalla"},"content":{"rendered":"\n

Filip Custic<\/h2>\n\n\n\n
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\u00a9 Filip Custic Courtesy Onkaos<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Filip Custic Courtesy Onkaos<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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filip custic (Santa Cruz de Tenerife, Spain 1993) works across photography, performance, sculpture\r\nand video to address themes around identity, body and our relationship with technology. Mirrors and\r\nscreens are a recurring features, a reference to our age of image-obsession and selfies, and custic\r\nalso uses symbols, references to science, and art-historical borrowings in his art. The artist focuses\r\nhis work on the crossover between technology and the body, talking about identity and how\r\ntechnological objects can help us celebrate the diversity of identities of human beings.\r\ncustic’s unique style has opened doors to prestigious collaborations in the fashion world with brands\r\nlike Kenzo, Chlo\u00e9, Louboutin, Palomo Spain, Camper, as well as magazines such as Vogue and GQ.<\/p>\n\n\n\n

Additionally, he has worked with internationally renowned artists like the Spanish pop star Rosal\u00eda and\r\nthe American rapper Lil Nas X. His art is exhibited worldwide, including at La T\u00e9rmica (Spain), the\r\nMuseum of Fine Arts in Leipzig (Germany), the Museum of Contemporary Art in Zagreb (Croatia), Art\r\nBasel Miami (United States), and recently at the Parco Museum Tokyo (Japan) for his first solo\r\nexhibition.<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":27417,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[28,117],"class_list":["post-29205","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27417"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29205"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29205"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}