{"id":29614,"date":"2024-09-13T19:05:56","date_gmt":"2024-09-13T17:05:56","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/la-meme-chose-mais-pas-tout-a-fait-pareille\/"},"modified":"2024-09-18T14:03:15","modified_gmt":"2024-09-18T12:03:15","slug":"la-meme-chose-mais-pas-tout-a-fait-pareille","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/la-meme-chose-mais-pas-tout-a-fait-pareille\/","title":{"rendered":"La m\u00eame chose mais pas tout \u00e0 fait pareille"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">La m\u00eame chose mais pas tout \u00e0 fait pareille<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Anne-Sophie Turion<\/h2>\n\n\n\n<p><strong>A proposal by Festival Parall\u00e8le<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p>Thu. 16 Jan. 2025\n18h15\nRunning time: 1h30<\/p>\n\n\n\n<p>LE ZEF \u2013 sc\u00e8ne nationale de Marseille\nMarseille\nFREE, by reservation on 04 91 11 19 20<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em>La m\u00eame chose mais pas tout \u00e0 fait pareille<\/em>&nbsp;is a collective experience that humorously titillates our 5G thinking and dematerialized communication habits. Conceived as a participatory, ambulatory device, the piece draws spectators into incongruous interaction situations that gradually invite intimate encounters between strangers. <\/p>\n\n\n\n<p>For this very first stage of work, you are invited to discover the creative process from the inside by experimenting with the device, accompanied by the artistic team. <br>Creation of the work is scheduled for 2026. <\/p>\n\n\n\n<p>A proposal As part of a research residency at ZEF &#8211; sc\u00e8ne nationale de Marseille. Anne-Sophie Turion is a member of the Bande du ZEF &#8211; sc\u00e8ne nationale de Marseille. In partnership with ONDA &#8211; Office national de diffusion artistique and Festival Parall\u00e8le.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/anne-sophie-turion\/\">Anne-Sophie Turion<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Anne-Sophie Turion&#8217;s interest in the living and the visual takes the form of site-specific interventions, performances and shows. From the black box to the great outdoors, she tackles reality to orchestrate it into fiction. Using the devices of theatre and cinema with a sense of humour, she creates narratives with apparent cogs in the wheel: images and scenarios are constructed on sight, leaving real life to creep in from all sides. An augmented reality cobbled together from everyday materials, exploring the intimate from every angle.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":30977,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[26],"class_list":["post-29614","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/30977"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29614"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29614"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}