{"id":32373,"date":"2026-08-28T15:59:39","date_gmt":"2026-08-28T13:59:39","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/speakers-corner\/"},"modified":"2026-10-01T14:48:28","modified_gmt":"2026-10-01T12:48:28","slug":"speakers-corner","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/speakers-corner\/","title":{"rendered":"Speaker Corner"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large wp-duotone-blue-orange\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/LumenTexte&#xA9;meliciaBaussan-1024x717.jpg\" alt=\"\" class=\"wp-image-31742\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\"><strong>Collectif Impatience <sup>FR<\/sup><\/strong><br\/><em><strong><em>Speaker Corner<\/em><\/strong><\/em><\/h2>\n\n\n\n<h5 class=\"wp-block-heading\">Video Performance<\/h5>\n<\/div>\n<\/div>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"border-top-style:none;border-top-width:0px;border-right-color:var(--wp--preset--color--white);border-right-style:solid;border-right-width:1px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);flex-basis:33.33%\">\n<h5 class=\"wp-block-heading\">A tour of artworks in public spaces as part of the Aix Biennale<\/h5>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Friday 30th and Saturday 31st October<\/strong><br\/> from 7pm to 11pm  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">35-minute performance<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Grand Th\u00e9\u00e2tre de Provence, avenue Mozart<\/strong><br\/>Aix-en-Provence<\/p>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Credits<\/summary>\n<p class=\"wp-block-paragraph\">Co-production: Lieux publics \u2013 National Center for Street Arts and Public Space.  <br\/>With support from the Th\u00e9\u00e2tre du Fil de l&#8217;Eau in Pantin, 2R2C in Paris, the Maison des M\u00e9tallos in Paris, and Le Lieu Unique in Nantes.<\/p>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"275\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1024x275.png\" alt=\"\" class=\"wp-image-31389\" style=\"aspect-ratio:3.7237208177089633;width:211px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1024x275.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-300x80.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-768x206.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1536x412.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-2048x549.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><em>SPEAKER CORNER<\/em> is the wall; it is the flow within the urban space; it craves attention, and so it decides to become one with the audience. From there, anything can happen. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In <em>SPEAKER CORNER<\/em>, the presence of the audience is essential, as there are no actors and no soundtrack.<br\/>What the \u2018speaker\u2019 reveals on the projection screen invites a collective celebration of public space.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Through a clever digital device, which plays on the here and now just as an actor would, the piece interacts with passers-by, sounds and the smallest of events taking place around it. With a touch of mischief, Speaker Corner invites the audience to transform the street into a space that connects living people. <\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Cast<\/summary>\n<p class=\"wp-block-paragraph\">Design: Olivier Bor\u00e9el and Perrine Mornay.<br\/>Software development: S\u00e9bastien Rouiller.<br\/>Distribution\/Production: \u00c9milie Briglia.<br\/>Administration\/Production: Iseult Guibout.<\/p>\n<\/details>\n<\/div>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<figure class=\"wp-block-image alignwide size-large\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/LumenTexte&#xA9;meliciaBaussan-1024x717.jpg\" alt=\"\" class=\"wp-image-31742\"\/><\/figure>\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\">Impatience Collective<\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">The Collectif Impatience (75) places research and the relationship with the individual\u2014the audience member\u2014at the center of its creations.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIn light of global developments, we are taking an exploratory approach. We create forms that shift the viewer\u2019s gaze, that transform the way a performance is experienced and the way one becomes a spectator. We are implementing a \u201cdramaturgy of address.\u201d  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Our works and performances are conceived as interactive mediums with the audience: visual and\/or participatory installations, theater without actors, audience-centered staging, and performances in which we ourselves take part&#8230;  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The encounter can serve as the starting point for a performance such as <\/span><i><span style=\"font-weight: 400;\">B\u00e2ton<\/span><\/i><span style=\"font-weight: 400;\">  which invites someone from outside the theater world to be at the center of the process. But our research on \u201cthe audience\u201d can turn into an obsession, as in  <\/span><i><span style=\"font-weight: 400;\">Lumen Text<\/span><\/i><span style=\"font-weight: 400;\">  to the point where there are no more interpreters. The concept of \u201cassembly\u201d underpins the very principle of the  <\/span><i><span style=\"font-weight: 400;\">TTension Conference<\/span><\/i><span style=\"font-weight: 400;\">. We develop performances, gallery installations, laboratories, game and discussion protocols, sound installations, and site-specific works in non-traditional venues. Our research is informed by protocols that encourage confrontation, intertwining, and hybridization.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The connection to the visual arts is emphasized. We are just as interested in the method and the creative process as we are in the final format.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Research Project <\/span><i><span style=\"font-weight: 400;\">What Can the Night Do?<\/span><\/i><span style=\"font-weight: 400;\">, supported by the Ministry of Culture\u2019s research division, brought together researchers, artists, and children to explore, in the space of the night, participatory formats tailored to children. As a result of this research, a work of the same name was created in December 2025.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Collectif Impatience has been under contract with the DRAC \u00cele-de-France since 2025; it regularly receives project funding for its productions from the DRAC \u00cele-de-France, the \u00cele-de-France region, Dicr\u00e9am, and Spedidam\u2026 Its productions have been staged at venues including the Th\u00e9\u00e2tre de Vanves (92), the T.U. (Nantes \u2013 44), La Filature (Mulhouse \u2013 68), at the Vivat in Armenti\u00e8res (59), at C.12 (Mantes-La-Jolie (78)), at Dello Scompiglio (Italy), at L\u2019\u00c9changeur (Bagnolet \u2013 93), at Emmetrop (Bourges \u2013 18), at the Laboratoires d\u2019Aubervilliers (93), at the Ma\u00eff Social Club (Paris), at the MacVal in Vitry (94), at Bain Public\/Saint-Nazaire (44), at the Th\u00e9\u00e2tre du Train Bleu\/Avignon Off Festival, the Studio-Th\u00e9\u00e2tre de Vitry (94), the Frac Lorraine (57), and at the Bruits de Galop (75), Dans Ta Cour (75), OTNI (75), Connexions (63), etc.<\/span><\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":33678,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,136],"class_list":["post-32373","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/33678"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32373"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32373"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}