{"id":32379,"date":"2026-08-28T15:59:40","date_gmt":"2026-08-28T13:59:40","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/true-false\/"},"modified":"2026-09-10T11:00:31","modified_gmt":"2026-09-10T09:00:31","slug":"true-false","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/true-false\/","title":{"rendered":"True \/ False"},"content":{"rendered":"\n
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Romain Tardy, BE<\/sup><\/strong>True \/ False<\/em><\/strong><\/em><\/h2>\n\n\n\n
Lighting Installation<\/h5>\n<\/div>\n<\/div>\n\n
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A tour of artworks in public spaces as part of the Aix Biennale<\/h5>\n\n\n\n

Friday 30th and Saturday 31st October<\/strong> from 7pm to 11pm <\/p>\n\n\n\n

Terraces of the Grand Th\u00e9\u00e2tre de Provence<\/strong>Aix-en-Provence<\/p>\n\n\n\n

Credits<\/summary>\n

A CHRONIQUES CR\u00c9ATIONS Platform project.Sound design: Before Tigers. Co-production: Stereolux, L\u2019Hexagone Sc\u00e8ne nationale Arts Sciences – Meylan. With support from Wallonie-Bruxelles International and the Centre WallonieBruxelles Paris. <\/p>\n<\/details>\n\n\n\n

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“True \/ False<\/em> ” is a digital installation that explores our relationship with truth in the age of misinformation. Based on anamorphosis, it reveals “True” and “False” only when viewed from certain angles. Five micro-architectures make up a sculptural landscape whose forms align only when viewed from a distance. <\/p>\n\n\n\n

An audiovisual installation presents a mix of true and false information, the nature of which becomes apparent only when viewed from a specific perspective and with some distance. By physically staging this contrast, the work highlights the limitations of a binary interpretation of reality and invites the audience to reflect on their perception of the media in a broader sense. <\/p>\n<\/div>\n<\/div>\n\n

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Romain Tardy<\/h2>\n
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Romain Tardy has been working in the field of contemporary visual creation since 2008. His work, developed as a series of poetic experiences using light, video mapping, objects and sound, can often be found in numerous countries around the world. The matter of our relationship with technology as well as the bearing it has on our society are at the heart of his work. That said, Romain Tardy refutes the \u201cdigital art\u201d tag\u2014his first goal is to create tangible artworks and physical offline experiences in which the screen is never the limit.<\/span><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":32769,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,136],"class_list":["post-32379","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/32769"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32379"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32379"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}