{"id":32387,"date":"2026-06-22T13:59:58","date_gmt":"2026-06-22T11:59:58","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/between-the-past-and-the-future\/"},"modified":"2026-09-09T18:56:49","modified_gmt":"2026-09-09T16:56:49","slug":"between-the-past-and-the-future","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/between-the-past-and-the-future\/","title":{"rendered":"Between the Past and the Future"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large wp-duotone-blue-orange\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-1024x576.png\" alt=\"\" class=\"wp-image-31722\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fredj Moussa <strong><sup>TN<\/sup><\/strong><br><em><em>Between Past and Future<\/em><\/em><\/h2>\n\n\n\n<h5 class=\"wp-block-heading\">Video game<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"border-top-style:none;border-top-width:0px;border-right-color:var(--wp--preset--color--white);border-right-style:solid;border-right-width:1px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);flex-basis:33.33%\">\n<h5 class=\"wp-block-heading\"><a href=\"https:\/\/chroniques-biennale.org\/en\/event\/solar-futures\/\" data-type=\"link\" data-id=\"https:\/\/chroniques-biennale.org\/event\/futurs-solaires\/\">Exhibition \u201c <strong><strong><strong><strong><strong>Solar Futures<\/strong><\/strong><\/strong><\/strong><\/strong> \u201d<\/a><\/h5>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>October 30 through December 12, 2026<\/strong><br>Wednesday through Saturday, 2:00 p.m. to 7:00 p.m.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>La Manufacture Gallery<br><\/strong>Aix-en-Provence<\/p>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Credits<\/summary>\n<p class=\"wp-block-paragraph\">Directed by: Fredj Moussa <br>Cinematography: Ludovic de Olivera <br>Sound: Louay Rezgui<br><\/p>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"386\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png\" alt=\"\" class=\"wp-image-31391\" style=\"aspect-ratio:2.204683807204755;width:193px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png 851w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-300x136.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-768x348.png 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">&#8220;Between Past and Future&#8221; is an open-world video game consisting of several levels, set in desert landscapes inspired by Tunisia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The player takes on the role of a fennec fox exploring an environment that is both poetic and unstable, where ecosystems are threatened by an invasion of locusts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Through exploration, collection, and interaction with hybrid entities, the game offers a contemplative experience in which the narrative unfolds in fragments.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-1024x576.png\" alt=\"\" class=\"wp-image-31722\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/BPF20264.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\">Fredj Moussa<\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Born in 1992 in France, <\/span><span style=\"font-weight: 400;\">he lives and works in Tunisia.<br \/>\n<\/span><span style=\"font-weight: 400;\">Fredj Moussa studied at Le Fresnoy from 2021 to 2023. <\/span><span style=\"font-weight: 400;\">In 2024, he is an artist-in-residence at the Villa Medici in Rome.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">His work lies at the intersection of film and sculpture. He creates landscapes in which fiction becomes a form of resistance. Through videos and costumes made from recycled materials, he creates speculative narratives that blur the lines between documentary and myth.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fredj Moussa&#8217;s works have been featured in exhibitions such as the B7L9 Art Station in Tunis (Tunisia), the Selebe Yoon Gallery in Dakar (Senegal), and the Berlin Biennale (Germany), among others.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">He will receive the CIFRA Award at LOOP Barcelona in 2023. In 2025, Fredj Moussa received the award for Best Experimental Documentary Film at the Jihlava International Documentary Film Festival (IDFF).<\/span><\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":33270,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,141],"class_list":["post-32387","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/33270"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32387"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32387"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}