{"id":32399,"date":"2026-06-22T13:22:28","date_gmt":"2026-06-22T11:22:28","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/resilience-overflow\/"},"modified":"2026-09-10T12:21:05","modified_gmt":"2026-09-10T10:21:05","slug":"resilience-overflow","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/resilience-overflow\/","title":{"rendered":"Resilience Overflow"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large wp-duotone-blue-orange\"><img loading=\"lazy\" decoding=\"async\" width=\"1440\" height=\"1080\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited.jpg\" alt=\"\" class=\"wp-image-31716\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited.jpg 1440w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited-768x576.jpg 768w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Lara Tabet <strong><sup>LB<\/sup><\/strong><br><em><em><strong>Resilience Overflow<\/strong><\/em><\/em><\/h2>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Installation<\/strong><\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"border-top-style:none;border-top-width:0px;border-right-color:var(--wp--preset--color--white);border-right-style:solid;border-right-width:1px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);flex-basis:33.33%\">\n<h5 class=\"wp-block-heading\"><a href=\"https:\/\/chroniques-biennale.org\/en\/event\/solar-futures\/\" data-type=\"link\" data-id=\"https:\/\/chroniques-biennale.org\/event\/futurs-solaires\/\">Exhibition \u201c <strong><strong><strong><strong><strong>Solar Futures<\/strong><\/strong><\/strong><\/strong><\/strong> \u201d<\/a><\/h5>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>October 30 through December 12, 2026<\/strong><br>Wednesday through Saturday, 2:00 p.m. to 7:00 p.m.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>La Manufacture Gallery<br><\/strong>Aix-en-Provence<\/p>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Credits<\/summary>\n<p class=\"wp-block-paragraph\">Co-production: Biofaction, Columbia University\u2019s Post-Conflict Cities Lab.<\/p>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"386\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png\" alt=\"\" class=\"wp-image-31391\" style=\"aspect-ratio:2.204683807204755;width:193px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png 851w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-300x136.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-768x348.png 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><em>Resilience<\/em> <em>Overflow<\/em> is a multifold project based on the construction of a genetically modified bacterial strain in collaboration with the molecular environmental microbiology laboratory at the national center of biotechnology in Madrid. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The bacterium, isolated from the artist\u2019s gut is hijacked and genetically engineered to incorporate and produce the Human Neuropeptide Y, a gene linked to human resilience, thus becoming a microscopic drug producing factory.<br>Beirut is marked by a history of cyclical violence including 30 years of civil war. In 2019 the country suffered a financial crisis on top of a pandemic that culminated in the Beirut port\u2019s explosion.In the absence of social healthcare, there is a big medication shortage<br>especially psychotropic medications in a country that suffers from a nation scale Post Traumatic Stress Disorder.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Resilience is defined as the ability to adapt successfully in the face of stress and adversity; to survive, recover and evolve after a disturbance.<br>It has often been ascribed to the Lebanese people. <br>Resilience is also a characteristic of bacterial communities as we often see in<br>how these microorganisms react to antibiotics by creating mechanisms of escape. If we look into the possible biological basis of resilience, many neurotransmitters are involved including but not limited to human Neuropeptide Y, a small gene produced by the hypothalamus. Many studies have shown its involvement in adaptability to stress and protection from post traumatic stress disorder.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In <em>Resilience<\/em> <em>Overflow<\/em> hypothetically consider releasing modified organisms into the environment to remediate the shortcomings of an absent and corrupt government with regards to public health policies. This project consisted of genetically engineering the artist&#8217;s own fecal<br>bacteria to produce the psychoactive human molecule Neuropeptide Y and speculating around the idea of releasing it into Beirut\u2019s water system thus questioning resilience as a political pretext and looking at the role of the individual in the absence of the state as well as possible modes of alliances between the human and the microbiological world.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited-1024x768.jpg\" alt=\"\" class=\"wp-image-31716\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited-768x576.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/ResilienceOverflowDreamCity_01_laratabet-edited.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\">Lara Tabet<\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Lara Tabet is a physician and transdisciplinary artist working at the intersection of art, ecology, biomedical sciences, and politics. She works in a variety of media, including experimental photography, installation, video, and bioart. Her recent work blends scientific research, fiction, and autobiography to explore water, toxicity, and the multiscale interconnections between microscopic exchanges and global flows.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2012, after completing his residency in clinical pathology at the American University of Beirut, Tabet graduated from the International Center of Photography in New York and received the Lisette Model Fellowship.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her work has been exhibited throughout the Arab world, the United States, and Europe. Her exhibitions include the 13th Taipei Biennial; \u201cHow Will It End,\u201d at Villa Boghossian, Brussels, 2022; \u201cEmergent Strategies from the Deep,\u201d at Savvy Contemporary, Berlin, 2021; and many others. She has received grants from AFAC and Al-Mawred Al Thaqafi, and was the recipient of the Arte East grant in 2016 and the Sursock Museum Prize in 2018. In 2022, she received the Prince Claus Mentorship Award for cultural and artistic responses to environmental change. She currently lives in Marseille.    <\/span><\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":33272,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,95],"class_list":["post-32399","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/33272"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32399"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32399"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}