{"id":32409,"date":"2026-06-11T17:03:19","date_gmt":"2026-06-11T15:03:19","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/copy-that\/"},"modified":"2026-09-09T18:52:47","modified_gmt":"2026-09-09T16:52:47","slug":"copy-that","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/copy-that\/","title":{"rendered":"COPY THAT"},"content":{"rendered":"\n
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C\u00e9cile Babiole FR<\/sup> & Jean-Marie Boyer<\/strong> FR<\/sup><\/strong>
COPY THAT<\/em><\/em><\/h2>\n\n\n\n
Interactive installation <\/strong><\/h5>\n<\/div>\n<\/div>\n\n\n\n
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<\/a>Exhibition \u201c Fabulations \u2014 Reclaiming Our Voices, Reinventing Language<\/strong> \u201d<\/strong><\/strong><\/a><\/h5>\n\n\n\n

October 30 through January 17, 2027<\/strong>
Wednesday through Sunday, 11:30 a.m. to 6:30 p.m.<\/p>\n\n\n\n

21 bis, Mirabeau – Departmental Cultural Center<\/strong>
Aix-en-Provence<\/p>\n\n\n\n

Credits<\/summary>\n

Co-production: Abbaye de Maubuisson
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“Copy that” is an English expression that means “message (clearly) received” in slang used in amateur radio, CB, and military communications.<\/p>\n\n\n\n

The installation sets up a transmission system that allows short text messages to be sent and received between two radios, enabling a form of chat between two participants simultaneously. The original system is one-way: from the radio station to the listeners; here, the artists transform it into a means of two-way communication. <\/p>\n\n\n\n

In this sense, this play invents a fictional chapter in the history of the media by creating a novel and functional text-based chat service\u2014albeit one that is slow and has limited reach. <\/p>\n\n\n\n

This work is part of the critical reflection on the history of technology that artists are accustomed to engaging in.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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C\u00e9cile Babiole<\/h2>\n
https:\/\/babiole.net\/projects<\/a><\/div>\n\n \n \n

C\u00e9cile Babiole has been active in the field of music and electronic and digital arts since the 80s. Her creations combine visual and sound arts in installations and performances that question technologies with irony and singularity. Her latest work focuses on language, its transmission, dysfunctions, reading, translation and algorithmic manipulation. In 2016, she co-founded the Roberte la Rousse collective, a cyberfeminist group working on language, gender and technology. She is a member of the artist-curator collective \u201cLe sans titre\u201d.<\/p>\n

She is also an exhibition curator. Her latest exhibition: Hadaly et Sowana, cyborgs et sorci\u00e8res<\/i> at L’Espace Gantner, Bourogne (2019-2020). Her work has been exhibited internationally: Centre Pompidou, Ga\u00eet\u00e9 Lyrique – Paris, IMAL – Brussels, Mutek, Elektra – Montreal, Fact – Liverpool, MAL – Lima, NAMOC – Beijing, … and awarded numerous prizes and grants: Ars Electronica, Locarno, Prix SCAM, Bourse Pierre Schaeffer, Bourse Villa M\u00e9dicis hors les murs, Transmediale Berlin, Stuttgart Expanded Media Festival…<\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div>

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Jean-Marie Boyer<\/h2>\n
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Jean-Marie Boyer is an artist-developer specializing in the creation of installations, performances, and interfaces that draw equally on the codified systems of artistic representation (painting, architecture, countercultures) as to human and physical phenomena (geopolitics, socioeconomics, finance), sensory perception, and cognitive systems. He is a founding member of the RYBN collective. <\/span><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,95],"class_list":["post-32409","oeuvre","type-oeuvre","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32409"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32409"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}