{"id":32426,"date":"2026-06-08T15:16:41","date_gmt":"2026-06-08T13:16:41","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/the-panoramythic\/"},"modified":"2026-09-09T18:44:27","modified_gmt":"2026-09-09T16:44:27","slug":"the-panoramythic","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/the-panoramythic\/","title":{"rendered":"The Panoramythic"},"content":{"rendered":"\n
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Amir Youssef EG<\/sup>The Panoramythic<\/em><\/em><\/h2>\n\n\n\n
Video installation <\/strong><\/h5>\n<\/div>\n<\/div>\n\n
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Exhibition \u201c Sensitive Cartography and Reconstructed Memories<\/strong><\/strong><\/strong> \u201d<\/a><\/h5>\n\n\n\n

From October 23 to December 13, 2026<\/strong> From Wednesday to Sunday, 2pm to 7pm<\/p>\n\n\n\n

La Belle de Mai Brownfield Site<\/strong> PanoramaMarseille<\/p>\n\n\n\n

Credits<\/summary>\n

With the support of La Scam, Le Centquatre-Paris, and Le Fresnoy<\/p>\n<\/details>\n\n\n\n

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“Panoramythique”<\/em> is an immersive video installation that explores narratives stemming from colonial history through a combination of projection, shadow theater, 3D-printed objects, and spatial design. By blending archival material with fiction, the project stages a dialogue between the Sphinx and Napoleon, symbolic figures around whom hybrid imaginaries are constructed. The image becomes narrative material in a sensory environment that questions the creation of myths and their persistence. <\/p>\n<\/div>\n<\/div>\n\n

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Amir Youssef<\/h2>\n
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Amir, an Egyptian artist and filmmaker, divides his time between Paris and Alexandria. A graduate of the University of Alexandria (painting, 2015), the Aix-en-Provence School of Art (Master\u2019s degree), and Le Fresnoy \u2013 National Studio for Contemporary Arts, he is committed to fighting social inequalities in education and culture, which influences both his art and his teaching. <\/p>\n

His works critique colonial history, explore the absurdity of war and postcolonial narratives, and poetically reinterpret religious themes. His research on visual culture and media archaeology examines movement and narrative (sculpture, installation, film, video). This has led to \u201cKinemania,\u201d his term for society\u2019s fascination with visual movement, as expressed through kinetic objects. <\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[95,117],"class_list":["post-32426","oeuvre","type-oeuvre","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32426"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32426"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}