{"id":32428,"date":"2026-06-08T14:45:59","date_gmt":"2026-06-08T12:45:59","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/leo-the-african-2527\/"},"modified":"2026-09-09T18:45:13","modified_gmt":"2026-09-09T16:45:13","slug":"leo-the-african-2527","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/leo-the-african-2527\/","title":{"rendered":"Leo the African: 2527"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large wp-duotone-blue-orange\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-1024x578.png\" alt=\"\" class=\"wp-image-31544\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-1024x578.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-768x434.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-1536x867.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Mounir Ayache <sup>FR<\/sup><br\/><em><em><strong>Leo the African: 2527<\/strong><\/em><\/em><\/h2>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Interactive installation <\/strong><\/h5>\n<\/div>\n<\/div>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"border-top-style:none;border-top-width:0px;border-right-color:var(--wp--preset--color--white);border-right-style:solid;border-right-width:1px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);flex-basis:33.33%\">\n<h5 class=\"wp-block-heading\"><a href=\"https:\/\/chroniques-biennale.org\/en\/event\/sensitive-cartography-and-reconstructed-memories\/\">Exhibition \u201c <strong><strong><strong>Sensitive Cartography and Reconstructed Memories<\/strong><\/strong><\/strong> \u201d<\/a><\/h5>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>From October 23 to December 13, 2026<\/strong><br\/> From Wednesday to Sunday, 2pm to 7pm<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>La Belle de Mai Brownfield Site<\/strong><br\/>Panorama<br\/>Marseille<\/p>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Credits<\/summary>\n<p class=\"wp-block-paragraph\">A CHRONIQUES CR\u00c9ATIONS Platform project.  <br\/>Co-production: Le Cube Garges. ICONEM STUDIO and ZELLIGER PRODUCTION present &#8220;L\u00e9on l&#8217;Africain.&#8221; An experience conceived and directed by Mounir Ayache.  <\/p>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"275\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1024x275.png\" alt=\"\" class=\"wp-image-31389\" style=\"aspect-ratio:3.7237208177089633;width:211px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1024x275.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-300x80.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-768x206.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1536x412.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-2048x549.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"386\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png\" alt=\"\" class=\"wp-image-31391\" style=\"aspect-ratio:2.204683807204755;width:193px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png 851w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-300x136.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-768x348.png 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><em>Leo Africanus: 2527<\/em> is an interactive immersive installation that transports the 16th-century traveler Leo Africanus into a speculative future. By combining photogrammetry, artificial intelligence, and real-time interaction, the project explores cultural and historical memory through a narrative approach where history meets the subversive tactics of digital technology. Through alternative scenarios developed by various local authors, this experience explores the impact of past representations and their potential reinterpretations in the future.  <\/p>\n<\/div>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-1024x578.png\" alt=\"\" class=\"wp-image-31544\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-1024x578.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-768x434.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor-1536x867.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/leon2527previewoutdoor.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\">Mounir Ayache<\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Born in 1991, the Franco-Moroccan artist Mounir Ayache invites us to take a fresh look at the political and social realities of the Arab world through his technological creations. He graduated from the \u00c9cole des Beaux-Arts in Paris in 2017 and was a resident at the Villa Medici (2022\u20132023 session).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By drawing on the conventions of science fiction\u2014which he blends with family histories and an imaginative reappropriation of Arab experiences and identities\u2014 he is part of the unofficial movement known as Arabfuturism, influenced by 1990s Afrofuturism, which draws on fiction to propose alternative narratives. Mounir Ayache parodies Western fiction\u2019s portrayals of the Other and the Foreigner, and uses new technologies to create and convey his ideas, thereby blurring the lines between contemporary art and entertainment.  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her year-long residency at the Villa Medici provided an opportunity to conduct research for a fictional project centered on the character L\u00e9on l\u2019Africain, author of *Description of Africa from the 16th to the 26th Century*, which takes the form of writing, sculpture, and installation art.<\/span><\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":32431,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,95,117],"class_list":["post-32428","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/32431"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32428"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32428"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}