{"id":32430,"date":"2026-06-08T16:06:30","date_gmt":"2026-06-08T14:06:30","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/impermanence\/"},"modified":"2026-09-09T18:47:21","modified_gmt":"2026-09-09T16:47:21","slug":"impermanence","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/impermanence\/","title":{"rendered":"Impermanence"},"content":{"rendered":"\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

\u00c9tienne Rey FR<\/sup>
Impermanence<\/strong><\/em><\/h2>\n\n\n\n
Installation<\/strong><\/h5>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n
\n
\n
” Souffles terrestres<\/strong><\/strong><\/strong><\/strong> “<\/strong> Exhibition<\/a><\/h5>\n\n\n\n

From October 24th to December 13th<\/strong>
Tuesday to Sunday, 9am to 6pm<\/p>\n\n\n\n

Centre de la Vieille Charit\u00e9<\/strong>
Marseille<\/p>\n\n\n\n

Credits<\/summary>\n

A CHRONIQUES CR\u00c9ATIONS platform project
<\/strong>Co-production: GMEM – National Center for Musical Creation, ]interstice[ Festival, Station Mir, Ososph\u00e8re.
Partners: INSA Rouen Normandie, Oblique\/s, Sylvain Garnavault (The Bearded Lab), CORIA Laboratory (University of Rouen).

Artistic Team: Etienne Rey, Visual Artist.
Max Bruckert: Composer
Julien R\u00e9veillon, Hakim Hamdani: Scientists.
Man\u0153uvre: Builder, S
ylvain Garnavault: Mechatronics Design.
Project Development and Networking: oblique\/s.
Technical Coordination: man\u0153uvre.
An art\/science project created as part of the City of Caen\u2019s 2025 Millennium Celebration<\/p>\n<\/details>\n\n\n\n

\"\"<\/figure>\n<\/div>\n\n\n\n
\n

“Impermanence<\/em> ” is a sculptural, visual, and sound installation composed of five water sculptures in a state of perpetual recombination. The work explores resonance as a fundamental principle, drawing on cyclical and wave-like phenomena resulting from the interaction between matter, gravity, and a mechatronic language of movement. Inspired by a seismic event in Greenland, it transposes vibrational dynamics\u2014from which forms, sounds, and instabilities emerge\u2014to a perceptible scale.<\/p>\n\n\n\n

Linked to the concept of resistance, *Impermanence* draws attention to fragile balances and the forces at work in the world. In the face of ecological upheavals and logics of domination, the work offers a perceptual experience grounded in coexistence, listening, and transformation. Conceived as a continuum between the visible and the audible, it transforms resonance into a space of experience: the movements of water, sound vibrations, and mechanical cycles come together to form an unstable landscape, where resistance takes the form of heightened attention to the balances of living things. <\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n
\n \n\n\n \n\n \n
\n
\n
\n \n <\/div>\n <\/div>\n
\n \n

Etienne Rey<\/h2>\n
<\/div>\n\n \n \n

Etienne Rey’s work explores the very notion of space. The challenge is to produce a shift in perception. The question of the place and the environment, of the in situ<\/em> and the architecture participate in the discovery of spatial structures. The work is perceptual, it is approached without any particular knowledge, in a search for universality. Each of his installations explores a phenomenological experience, and unfolds spaces, sometimes unstable, where everything evolves permanently according to the position of the observer, his point of view, his movements.<\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,95],"class_list":["post-32430","oeuvre","type-oeuvre","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32430"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32430"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}