{"id":32434,"date":"2026-06-08T15:50:43","date_gmt":"2026-06-08T13:50:43","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/serpentine-night\/"},"modified":"2026-10-12T11:05:56","modified_gmt":"2026-10-12T09:05:56","slug":"serpentine-night","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/serpentine-night\/","title":{"rendered":"Serpentine Night"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large wp-duotone-blue-orange\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-1024x577.jpg\" alt=\"\" class=\"wp-image-31558\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-1024x577.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-1536x865.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio.jpg 1785w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">St\u00e9phanie Roland <sup>B<\/sup><sup>E<\/sup><br><em><em>Serpentine Night<\/em><\/em><\/h2>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Video installation <\/strong><\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"border-top-style:none;border-top-width:0px;border-right-color:var(--wp--preset--color--white);border-right-style:solid;border-right-width:1px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);flex-basis:33.33%\">\n<h5 class=\"wp-block-heading\"><a href=\"https:\/\/chroniques-biennale.org\/en\/event\/earthly-breaths\/\">Exhibition <strong>: <strong><strong><strong><strong>\u201cBreaths of the<\/strong><\/strong><\/strong><\/strong><\/strong> Earth\u201d<\/a><strong> \u201d<\/strong><\/h5>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>From October 24th to December 13th<\/strong><br> Tuesday to Sunday, 9am to 6pm<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Centre de la Vieille Charit\u00e9<\/strong><br>Marseille<\/p>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Credits<\/summary>\n<p class=\"wp-block-paragraph\"><strong>A CHRONIQUES CR\u00c9ATIONS platform project.<br><\/strong>Co-produced by Quai des Savoirs-Toulouse M\u00e9tropole aand CHRONIQUES, a regional centre for creative work in the digital environment \u2013 SUD Region \u2013 Provence-Alpes-C\u00f4te-d\u2019Azur, as part of the Biennale des Imaginaires Num\u00e9riques.<br>With support from the Wallonia-Brussels Federation, Wallonia-Brussels International, the Wallonia-Brussels Center in Paris, Hyperobjects Visual Arts &amp; Films, Caramel Beurr\u00e9 Sal\u00e9, and G\u00e9osciences Environnement Toulouse.<\/p>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"275\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1024x275.png\" alt=\"\" class=\"wp-image-31389\" style=\"aspect-ratio:3.7237208177089633;width:211px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1024x275.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-300x80.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-768x206.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1536x412.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-2048x549.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><em>\u201cSerpentine Night\u201d<\/em> is a video installation that explores California\u2019s system of geological faults. This mosaic paints a portrait of the concept of a fault line between reality and fiction, the real world and the virtual world, geography and emotions. Here, invisible terrestrial phenomena will be examined, as well as very human fault lines\u2014the tremors within societies. By giving a voice to the earth, it is possible to move beyond dominant anthropocentric narratives; listening to non-human entities becomes a way to heal our extractivist relationship with territories. To resist is to imagine other ontologies with a stronger connection between inhabitants and their territories, to speculate that they can cross the fault line, and to build and create within the fissure.    <\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-1024x577.jpg\" alt=\"\" class=\"wp-image-31558\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-1024x577.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio-1536x865.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Serpentine-night_Stephanie-Roland_installation_04-\u00a9-google-earth-studio.jpg 1785w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Screenshot<\/figcaption><\/figure>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                        <!--<a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/stephanie-roland\/\">-->\n            \n                        <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/stephanie-roland_portrait-\u00a9-stephanie-roland_HD-1000x1000.jpg\" width=\"1000\" height=\"1000\" alt=\"\" class=\"lazyload\" \/>\n            \n            \n                        <!--<\/a>-->\n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\">St\u00e9phanie Roland<\/h2>\n        <div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.instagram.com\/stephanie_roland_studio\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/www.stephanieroland.be\" target=\"_blank\">www.stephanieroland.be<\/a><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">St\u00e9phanie Roland is a belgian \/ micronesian visual artist and filmmaker.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Working between documentary and the imaginary, Roland makes films and installations exploring invisible structures, hyperobjects and deep time; from ecological and political to the geologic and cosmic.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After graduating from La Cambre and following Hito Steyerl\u2019s class in UDK Berlin, she completed post-graduates studies at Fresnoy &#8211; Studio National. Her work is regularly shown at international level, her projects have been included in exhibitions from major institutions among these Louvre Museum, Benaki Museum, Botanique, Kampala International Art Biennale, Bozar and Wiels. Breda Photo, Belfast Photo festival, Manifesto, Encontros da Imagem, BIP Li\u00e8ge, MOPLA and Unseen are amongst the festivals dedicated to photography in which she took part.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2017, she was selected in the group exhibition of the Antarctica Pavilion for the 57th Venice Biennale.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her films have been screened in international festivals such as Visions du R\u00e9el, FID Marseille, ZINEBI, FEST New Directors \/ New Films, Rencontres Internationales Paris \/ Berlin, among others. Her second short film, Podesta Island, had its world premiere at FID Marseille, where it wons the Alice Guy Prize. The empty sphere won the T\u00cbNK Award at Visions du R\u00e9el 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Filmography<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Deception Island, 2017<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Podesta Island, 2021<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; The empty sphere, 2022<\/span><\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[95,117],"class_list":["post-32434","oeuvre","type-oeuvre","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32434"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32434"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}