{"id":32444,"date":"2026-06-05T17:14:36","date_gmt":"2026-06-05T15:14:36","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/kudos\/"},"modified":"2026-09-09T18:25:38","modified_gmt":"2026-09-09T16:25:38","slug":"kudos","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/kudos\/","title":{"rendered":"Kudos"},"content":{"rendered":"\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

B\u00e9r\u00e9nice Serra FR<\/sup><\/strong>
Kudos<\/em><\/strong>
<\/h2>\n\n\n\n
Visual Art Installation<\/strong><\/h5>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n
\n
\n
Exhibition :<\/strong> \u201cDisobedience in the Digital Age\u201d<\/strong><\/a><\/strong><\/h5>\n\n\n\n

From October 23 to December 13, 2026<\/strong>
From Wednesday to Sunday, 2pm to 7pm<\/p>\n\n\n\n

Friche la Belle de Mai<\/strong>
La Tour, 4th floor
Marseille<\/p>\n<\/div>\n\n\n\n

\n

While leaks related to the Strava fitness app reveal how GPS data can expose sensitive information\u2014from military bases (2018) to the whereabouts of heads of state (2024), to the route of the aircraft carrier Charles de Gaulle (2026)\u2014the KUDOS<\/em> installation highlights our ability to read these traces and recognize them as a form of writing. Much like the stories we made up as children while watching the clouds, the work explores the narrative potential embedded in data. Through a coloring book that blends intentional GPS tracks derived from Strava art with unintentional ones, the project revives this forgotten sensibility and uses open-source analysis to highlight the political implications of geolocation. <\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n
\n \n\n\n \n\n \n
\n
\n
\n \n <\/div>\n <\/div>\n
\n \n

B\u00e9r\u00e9nice Serra<\/h2>\n
<\/div>\n\n \n \n

B\u00e9r\u00e9nice Serra explores the forms of tactical agency employed by civil society in networked environments. At the intersection of tactical media, open-source investigative methods, and post-digital writing, his works examine the power dynamics at play in the circulation of images and information within digital infrastructures.<\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":32445,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,95],"class_list":["post-32444","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/32445"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32444"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32444"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}