{"id":32449,"date":"2026-06-05T16:36:09","date_gmt":"2026-06-05T14:36:09","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/antiwar-ai\/"},"modified":"2026-09-09T18:31:37","modified_gmt":"2026-09-09T16:31:37","slug":"antiwar-ai","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/antiwar-ai\/","title":{"rendered":"Antiwar AI"},"content":{"rendered":"\n
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Helena Nikonole RU\/DE<\/sup>
Antiwar AI<\/em><\/em><\/h2>\n\n\n\n
Video installation <\/strong><\/h5>\n<\/div>\n<\/div>\n\n\n\n
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Exhibition :<\/strong> \u201cDisobedience in the Digital Age\u201d<\/strong><\/a><\/strong><\/h5>\n\n\n\n

From October 23 to December 13, 2026<\/strong>
From Wednesday to Sunday, 2pm to 7pm<\/p>\n\n\n\n

Friche La Belle de Mai<\/strong>
La Tour, 4th floor
Marseille<\/p>\n<\/div>\n\n\n\n

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Antiwar AI<\/em> is a hacktivist project that infiltrates Russian public spaces by hacking into IP cameras equipped with speakers to broadcast an anti-war message. The project uses artificial intelligence to appropriate the language and aesthetics of propaganda, thereby turning its own logic against itself. Bars, hospitals, offices, beauty salons: everyday places are transformed into unexpected sites of protest. In a context of total control over information, a hacked camera becomes an alternative media channel\u2014uncontrolled, ungovernable, and impossible to silence completely. <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Helena Nikonole<\/h2>\n
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Helena Nikonole is a new media artist, independent curator, researcher, and educator based in Berlin. Her areas of interest include artificial intelligence, hacktivism, hybrid art, and biosemiotics. Describing herself as a fluid and playful entity, she navigates between utopian scenarios of a posthuman future, militant counter-technologies, art as innovation, and a critical approach to technology\u2014refusing to confine herself to any one of these positions. She is currently pursuing a Ph.D. on language models (LLMs) and political ideologies at the University of Applied Arts Vienna. <\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":32450,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,95,117],"class_list":["post-32449","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/32450"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32449"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32449"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}