{"id":32481,"date":"2026-06-03T09:44:54","date_gmt":"2026-06-03T07:44:54","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&p=32481"},"modified":"2026-07-17T15:55:58","modified_gmt":"2026-07-17T13:55:58","slug":"invu-archipel","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/invu-archipel\/","title":{"rendered":"INVU [Archipel]"},"content":{"rendered":"\n
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Cl\u00e9ment \u00c9douard FR<\/sup><\/strong><\/strong>
INVU [Archipel]<\/em><\/strong>
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Sound Installation<\/strong><\/h5>\n<\/div>\n<\/div>\n\n\n\n
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Friday, the 23rd, from 5:00 p.m. to 10:00 p.m.
Saturday, October 24, from 2:00 p.m. to 10:00 p.m.<\/strong><\/p>\n\n\n\n

Friche la Belle de Mai<\/strong>
Le Module


Free admission<\/strong>

Performances by Isabel S\u00f6rling within the installation on Friday, October 23, from 6:30 p.m. to 8:30 p.m., and on Saturday, October 24, from 4:00 p.m. to 8:00 p.m.<\/p>\n\n\n\n

Cast<\/summary>\n

Concept and Composition: Cl\u00e9ment Edouard
Object Design and Set Design: Eva Vedel
Sound Design: Antoine Gonot and Mat\u00e9o Fayet
Performance: Isabel S\u00f6rling
Recorded Voices: Stimmlippe Vocal Ensemble
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Production Manager: Perline Feurtey<\/p>\n<\/details>\n\n\n\n

Credits<\/summary>\n

Production: Compagnie Mage
. Co-production: GMEM\u2014National Center for Musical Creation in Marseille; Rotondes\u2014Explorations Culturelles (Luxembourg); GMEA\u2014National Center for Musical Creation in Albi.
With support from the Rh\u00f4ne-Alpes-Auvergne Region, the DRAC Rh\u00f4ne-Alpes-Auvergne, the Maison de la Musique Contemporaine, SACEM, Spedidam, and Adami. Sound design developed in collaboration with IRCAM, Paris <\/p>\n<\/details>\n\n\n\n

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INVU<\/em> consists of seven sand sculptures, each incorporating a wireless speaker and a motion sensor. These objects, designed by artist Eva Vedel, are inspired by biomorphism; they appear as forms in the making\u2014unstable, porous, and permeated by the forces around them.
They can be picked up and moved by the public; each movement alters the sound material and its spatialization, transforming the perception of the whole. The melodies they emit draw their inspiration from a reinvented lyricism, giving rise to a shared space that is both fragile and strong: a refuge where one can draw strength from resilience and connection. <\/p>\n\n\n\n

Singer Isabel S\u00f6rling will perform live, and this dynamic performance will extend and enrich the relational dimension of the installation, while guiding the audience as they explore the work.<\/p>\n\n\n\n

INVU<\/em> draws on \u201cThe Power of Gentleness\u201d and \u201cIn Praise of Risk,\u201d two essays by philosopher Anne Dufourmantelle\u2014in which each of these concepts is viewed as a political force, an act of resistance and action. These are forces capable of countering the tensions of confrontation and of opposing the tragedy of war-related violence with an energy of transformation and care. <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Cl\u00e9ment \u00c9douard<\/h2>\n
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A composer and audio artist, Cl\u00e9ment \u00c9douard focuses on the nature of sound, his field of vibration and his perception, and his relationship with natural places and materials to create listening experiences that are simultaneously imaginary, physical, internal\u2026 He fosters a unique relationship with the vocal and the subtle, and delves particularly into notions of lightness and intensity, of the presence\/absence of natural\/composed echoes. His approach looks like an exploration, which he indulges by discerning zones of shadow, identifying mysteries, and by mapping it out.<\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":32802,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,25,95],"class_list":["post-32481","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/32802"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32481"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32481"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}