{"id":32481,"date":"2026-06-03T09:44:54","date_gmt":"2026-06-03T07:44:54","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&p=32481"},"modified":"2026-10-12T10:54:12","modified_gmt":"2026-10-12T08:54:12","slug":"invu-archipel","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/invu-archipel\/","title":{"rendered":"Invu [ARCHIPEL]"},"content":{"rendered":"\n
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Cl\u00e9ment \u00c9douard FR<\/sup><\/strong><\/strong>
Invu [ARCHIPEL]<\/em><\/strong>
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Sound Installation<\/strong><\/h5>\n<\/div>\n<\/div>\n\n\n\n
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Opening in Marseille<\/a><\/strong><\/p>\n\n\n\n

Saturday 24 October from 2 pm to 10 pm
Sunday 25 October from 2 pm to 6 pm<\/strong><\/p>\n\n\n\n

Friche la Belle de Mai<\/strong>
Module
Marseille

Performances by Isabel S\u00f6rling as part of the installation on Saturday 24 October from 4 pm to 8 pm and on Sunday 25 October from 2 pm to 6 pm.

Free entry<\/strong>
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Opening in Aix-en-Provence<\/a><\/strong><\/p>\n\n\n\n

Friday 30 and Saturday 31 October, from 7 pm to 11 pm<\/strong><\/p>\n\n\n\n

Mus\u00e9e Granet<\/strong>
Aix-en-Provence
<\/strong>En partenariat avec Arts Vivants Aix<\/p>\n\n\n\n

Performances by Isabel S\u00f6rling as part of the installation on Friday 30 and Saturday 31 October from 7 pm to 10 pm.<\/p>\n\n\n\n

Free admission<\/strong>
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The installation brings together an ancient world that is fading away and a world that is as yet undefined, one that may emerge through listening and movement.<\/p>\n\n\n\n

Seven ceramic sculptures inhabited by voices make up [Invu] ARCHIPEL<\/em>. Their forms were created from the sound waves of the voices they emit. One remains stationary, in the centre; its voice gradually fades away. The other six can be touched, picked up, moved and brought closer together by the public. Their movements alter the soundscape and the flow of the voices through the space. <\/p>\n\n\n\n

Melodies pass from one voice to another, shifting and transforming as they go. Little by little, a collective composition takes shape and opens up a shared space \u2013 at once fragile and powerful \u2013 where the bonds that are forged become a source of strength. <\/p>\n\n\n\n

During certain performances, the singer Isabel S\u00f6rling joins the voices of the installation live.<\/p>\n\n\n\n

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Cast<\/summary>\n

Concept and composition \u2014 Cl\u00e9ment \u00c9douard
Object design and set design \u2014 Eva Vedel
Voice and performance \u2014 Isabel S\u00f6rling
Sound design \u2014 Antoine Gonot, Matt\u00e9o Fayet
Recorded voices \u2014 STIMMLIPPE Ensemble (Gilles Poizat, Marie Nachury, Anne Davienne, Greg Gilg, Vivianne Balsiger) and Borja Flames
Lyrics \u2014 Inspired by the poems of the sculptor Antoine Bourdelle<\/p>\n<\/details>\n<\/div>\n\n\n\n

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Mentions<\/summary>\n

A project by the CHRONIQUES CR\u00c9ATIONS Platform.
Production<\/strong> : Compagnie Mage
Coproduction<\/strong> : GMEM – Centre national de cr\u00e9ation musicale de Marseille, Rotondes – Explorations Culturelles (Luxembourg), GMEA – Centre National de Cr\u00e9ation Musical d\u2019Albi and CHRONIQUES, a regional centre for creative work in the digital environment \u2013 SUD Region \u2013 Provence-Alpes-C\u00f4te-d\u2019Azur, as part of the Biennale des Imaginaires Num\u00e9riques.
Avec le soutien de la R\u00e9gion Rh\u00f4ne-Alpes-Auvergne, la DRAC Rh\u00f4ne-Alpes-Auvergne, la Maison de la Musique Contemporaine, la SACEM, la Spedidam, l\u2019Adami. Dispositif sonore d\u00e9velopp\u00e9 en collaboration avec l\u2019IRCAM, Paris<\/p>\n<\/details>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Cl\u00e9ment \u00c9douard<\/h2>\n
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A composer and audio artist, Cl\u00e9ment \u00c9douard focuses on the nature of sound, his field of vibration and his perception, and his relationship with natural places and materials to create listening experiences that are simultaneously imaginary, physical, internal\u2026 He fosters a unique relationship with the vocal and the subtle, and delves particularly into notions of lightness and intensity, of the presence\/absence of natural\/composed echoes. His approach looks like an exploration, which he indulges by discerning zones of shadow, identifying mysteries, and by mapping it out.<\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28,25,95],"class_list":["post-32481","oeuvre","type-oeuvre","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/32481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32481"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=32481"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=32481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}