{"id":33152,"date":"2026-09-04T13:20:04","date_gmt":"2026-09-04T11:20:04","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/rabbit-hole\/"},"modified":"2026-09-09T14:39:06","modified_gmt":"2026-09-09T12:39:06","slug":"rabbit-hole","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/rabbit-hole\/","title":{"rendered":"Rabbit Hole"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large wp-duotone-blue-orange\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-1024x576.jpg\" alt=\"\" class=\"wp-image-32837\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\"><strong>INVIVO<\/strong> <sup>FR<\/sup><br><em><strong>Rabbit Hole<\/strong><\/em><\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Show presented by Sc\u00e8nes &amp; Cin\u00e9s at L&#8217;usine<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"border-top-style:none;border-top-width:0px;border-right-color:var(--wp--preset--color--white);border-right-style:solid;border-right-width:1px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);flex-basis:33.33%\">\n<h5 class=\"wp-block-heading\">Opening in Istres<\/h5>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Friday, November 6, and Saturday, November 7<br><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Show at <\/strong>8:00 p.m.<strong> <br><\/strong>Running time: 1 hour 15 minutes <br>Ages 12 and up<br><strong>Sc\u00e8nes &amp; Cin\u00e9s &#8211; L&#8217;Usine<\/strong><br>Istres<br><\/li>\n\n\n\n<li><strong>Augmented reality installation<\/strong> from 10 a.m. to 6 p.m. <br>Cour de l\u2019ancien Mus\u00e9e arch\u00e9ologique,<br>Rue du Puits Neuf<\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.billetweb.fr\/rabbit-hole\" target=\"_blank\" rel=\"noopener\">Tickets<\/a><\/div>\n<\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Credits<\/summary>\n<p class=\"wp-block-paragraph\">A programmation by Sc\u00e8nes &amp; Cin\u00e9s, in partnership with the Biennale of Digital Imaginary<br><\/p>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"275\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1024x275.png\" alt=\"\" class=\"wp-image-31389\" style=\"aspect-ratio:3.7237208177089633;width:211px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1024x275.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-300x80.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-768x206.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-1536x412.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/CN_Creations_BLANC-2048x549.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"386\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png\" alt=\"\" class=\"wp-image-31391\" style=\"aspect-ratio:2.204683807204755;width:193px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png 851w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-300x136.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-768x348.png 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><em>Rabbit Hole<\/em> is a theatrical production for teenagers (and older) that explores our digital addictions through two formats: a play in which three characters from different generations cross paths around an abyssal fountain, until a teenage girl sparks a liberating revolt; and an augmented reality installation that plunges the viewer into an infinite fall, where scrolling and swiping become political acts.<\/p>\n\n\n\n<p class=\"is-style-offset wp-block-paragraph\"><em>Let\u2019s imagine that, for the time it takes to read these few words, we shield ourselves from all other external distractions. Let\u2019s imagine that the space of theatrical performance has become one of the last bastions where we can still come together, without any interface slipping into the gap. Let\u2019s imagine that the need for screen-free sanctuaries\u2014for \u201cde-digitized\u201d zones\u2014becomes a societal necessity.  <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Rabbit Hole<\/em> is set in this space between dreams and reality. It is a theatrical production aimed at a teenage audience\u2014though not exclusively\u2014and consists of two parts: a live, front-of-house performance and a digital experience in the form of an augmented reality installation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The show <em>Rabbit Hole<\/em><\/strong> offers a willing suspension of time and disbelief, a temporary setting aside of screens. In this space-time\u2014a sort of blank zone conducive to boredom\u2014we encounter three characters from three different generations. They live side by side, crossing paths at the edge of a strange fountain with an abyssal depth. All are in the grip of their technological addictions, but the youngest\u2014a teenager\u2014will become the catalyst for a liberating digital revolt, leading to the group\u2019s rebirth.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The <em>Rabbit Hole<\/em> installation<\/strong>, meanwhile, offers an experience outside the theater near a fountain similar to the one featured in the set design. Through augmented reality, the audience will discover a virtual, endless fall into the fountain, where scrolling and swiping are the only possible actions. These gestures, which have become cognitive reflexes, will be examined in terms of their political and social dimensions, in a world reduced to a shadow of its former self.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>In both formats\u2014which function as interconnected portals between the inside and the outside\u2014real, virtual, and dreamlike spaces will unfold before our eyes.<\/strong><\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Cast<\/strong><\/summary>\n<p class=\"wp-block-paragraph\"><strong>Julien Dubuc<\/strong>, concept and direction<br><strong>Julien Dubuc and Lou Valentini, along with the creative<\/strong> writing <strong>team<\/strong> <br><strong>Sumaya Al-Attia, R\u00e9mi Rauzier, and \u00c9milie Wa\u00efche (acting); Lou Valentini<\/strong> (voice-over)<br><strong>Elsa Belenguier, Set Design <\/strong><br><strong>Gr\u00e9goire Durrande <\/strong>, Sound <strong>Design <\/strong><br><strong>Lucas Collet<\/strong> Lighting Design<br><strong>Lucas Collet, Julien Dubuc, and Antoine Vanel<\/strong>: Video Production<br><strong>David Udovtsch: Magic; Gwladys Duthil<\/strong>: Costumes<br><strong>Antoine Vanel &#8211; Blindsp0t<\/strong>: Virtual Worlds and Augmented Reality<br><strong>Pierre-Micka\u00ebl Faure<\/strong>: A Choreographic Perspective<br><strong>Lise D\u00e9terne, L\u2019Echelle<\/strong> Administration<br><strong>Caroline de Saint Pastou<\/strong>, Development (Production and Distribution)<\/p>\n<\/details>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-1024x576.jpg\" alt=\"\" class=\"wp-image-32837\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/INVIVOrabbithole7\u24b8GuillaumeCousty-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\">INVIVO<\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">INVIVO was founded in 2011 as a collective. The team came together to explore the following question: How can the audience\u2019s perception and sensations create a new form of storytelling? <\/span><\/p>\n<p><span style=\"font-weight: 400;\">With fifteen years of creative work, collaborations, cultural and artistic initiatives, and outreach under its belt, the team has successfully established itself as a leading force in the theater and digital arts sectors. Under the artistic direction of Julien Dubuc, INVIVO continues to develop, through each project, its distinctive creative voice and its commitment to exploring the audience\u2019s role and perceptions. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Julien Dubuc and INVIVO are associate artists at the Th\u00e9\u00e2tre Ducourneau, a state-subsidized youth theater in Agen, and members of the Th\u00e9\u00e2tre de l\u2019Union ensemble, the National Center for Dance (CDN) of the Limousin region.  <\/span><span style=\"font-weight: 400;\">INVIVO is funded by the DRAC of Nouvelle-Aquitaine and the Lot-et-Garonne Department, and supported by the Nouvelle-Aquitaine Region and the City of Agen.<\/span><\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n","protected":false},"featured_media":33111,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[25,130],"class_list":["post-33152","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/33152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/33111"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=33152"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=33152"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=33152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}