{"id":33359,"date":"2026-05-19T14:11:36","date_gmt":"2026-05-19T12:11:36","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/hack-the-game\/"},"modified":"2026-09-10T13:43:12","modified_gmt":"2026-09-10T11:43:12","slug":"hack-the-game","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/hack-the-game\/","title":{"rendered":"Hack the Game"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full wp-duotone-blue-orange\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/08\/Workshop-ESAAIX-&#xA9;-Oualid-Lazrak.jpg\" alt=\"\" class=\"wp-image-32879\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\"><strong>Collective restitution<\/strong><br\/><em>Hack the Game \/ Playing the Break<\/em><br\/>Art, Video Games, and Resistance<\/h2>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Installations<\/strong><\/h5>\n<\/div>\n<\/div>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"border-top-style:none;border-top-width:0px;border-right-color:var(--wp--preset--color--white);border-right-style:solid;border-right-width:1px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);flex-basis:33.33%\">\n<h5 class=\"wp-block-heading\">Opening in Aix-en-Provence<\/h5>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Friday, October 30, and Saturday, October 31, 2026<\/strong><br\/>from 5:00 p.m. to 10:00 p.m.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Amphith\u00e9\u00e2tre de La Manufacture<\/strong><br\/>Aix-en-Provence<\/p>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Credits<\/summary>\n<p class=\"wp-block-paragraph\">Organized by the Institute of Fine Arts of Tetouan; MEDIALAB INBA; the \u00c9cole Sup\u00e9rieure<br\/>d\u2019Art d\u2019Aix-en-Provence; the Locus Sonus Vitae Laboratory; and the Biennale des Imaginaires<br\/>Num\u00e9riques<\/p>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"386\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png\" alt=\"\" class=\"wp-image-31391\" style=\"aspect-ratio:2.204683807204755;width:193px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB.png 851w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-300x136.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/IF_mediterranee-2026_label_WEB-WHITE-RGB-768x348.png 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">This collaborative project between the INBA in Tetouan and ESAAix explores video games as a space for critical and poetic experimentation. Over the course of two workshops, the young artists co-created games, installations, and hybrid playful objects centered on the repurposing, hacking, and subversion of video game mechanics. Code becomes a malleable medium, and the avatar, a potential political body.  <\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Artist-teachers serving as mentors<\/strong><br><\/summary>\n<p class=\"wp-block-paragraph\">Leslie Astier (ESAAix)<br\/>Salma Bahlaouane (INBA)<br\/>Mikael Fetri Daoudi (INBA)<br\/>Guillaume Stagnaro (ESAAix)<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Participating students and graduates<\/strong><br><\/summary>\n<p class=\"wp-block-paragraph\">Youness Behrit (INBA) &#8211; Badr Benfanich (INBA) &#8211; Selin Dincer (ESAAix) &#8211; Molly Dunbar (ESAAix) &#8211; Hasfa Errabboun (INBA) &#8211; Nicolas Fleurot (ESAAix) &#8211; Driss Jabri (INBA) &#8211; Oualid Lazrak (INBA\/ESAAix) &#8211; Chaimaa Lehnech (INBA) &#8211; Marg Rassouw (ESAAix) &#8211; Tuna Suzgun (ESAAix)<\/p>\n<\/details>\n<\/div>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<figure class=\"wp-block-image alignwide size-full\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/08\/Workshop-ESAAIX-&#xA9;-Oualid-Lazrak.jpg\" alt=\"\" class=\"wp-image-32879\"\/><figcaption class=\"wp-element-caption\"><strong>\u00a9 Oualid Lazrak<\/strong> <\/figcaption><\/figure>\n","protected":false},"featured_media":33628,"menu_order":0,"template":"","edition":[140],"type_oeuvre":[28],"class_list":["post-33359","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/33359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/33628"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=33359"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=33359"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=33359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}