{"id":741,"date":"2020-07-29T12:49:25","date_gmt":"2020-07-29T10:49:25","guid":{"rendered":"\/?post_type=oeuvre&#038;p=741"},"modified":"2022-03-24T10:01:39","modified_gmt":"2022-03-24T09:01:39","slug":"birds-of-prey","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/birds-of-prey\/","title":{"rendered":"Birds of prey"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">BIRDS OF PREY<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\"><meta charset=\"utf-8\">Victoire Thierr\u00e9e<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Video installation<\/h4>\n\n\n\n<p><strong>CHRONIQUES Production 2018<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>This video immerses us in a quite unknown world: the French nuclear military base of Saint-Dizier. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">The base\u2019s air surveillance and protection rely on the birds trained by the army. The artist thus tries to show us how men can\u2019t do without nature to control their own technological creations.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-37-1024x684.jpg\" alt=\"\" class=\"wp-image-416\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-37-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-37-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-37-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-37-1536x1025.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-37-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-38-1024x684.jpg\" alt=\"\" class=\"wp-image-418\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-38-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-38-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-38-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-38-1536x1025.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-38-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-36-1024x684.jpg\" alt=\"\" class=\"wp-image-456\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-36-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-36-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-36-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-36-1536x1025.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Birdsofpray_CREDIT_Pierre-Gondard_-36-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>Birds of Prey<\/em>, Victoire Thierr\u00e9e, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/birds-of-prey\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/birds-of-prey\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Birds+of+prey&amp;url=https:\/\/chroniques-biennale.org\/en\/birds-of-prey\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Victoire-Thierr\u00e9e_profil-1000x1000.png\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Victoire Thierr\u00e9e <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"http:\/\/victoirethierree.com\" target=\"_blank\">victoirethierree.com<\/a><\/div><div class=\"artisteContent\"><p>Victoire Thierr\u00e9e\u2019s works enable the audience to uncover a universe which is typically concealed from them. A graduate of the Paris School of Fine Arts in 2014, the artist explores the armed forces and employs raw materials such as technical ceramics and optical apparatus, camouflage fabrics and surfacing unobtainable by civilians.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">MENTIONS AND CREDITS<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">This artwork is a creation of the Chroniques production and distribution platform.<\/p>\n\n\n\n<p class=\"is-style-default\">Produced by Jonas Films<br>Director Victoire Thierr\u00e9e<br>Producer Elsa Klughertz (Jonas Films)<br>Production Assistant Fanny B\u00e9gu\u00e9ly<br>Director of Photography Augustin Barbaroux<br>Sound Engineer Mathieu Rathelot<br>Sound editor and mixer Amaury Arboun<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":11094,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[25,26],"class_list":["post-741","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11094"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=741"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=741"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}