{"id":752,"date":"2020-07-29T12:48:10","date_gmt":"2020-07-29T10:48:10","guid":{"rendered":"\/?post_type=oeuvre&#038;p=752"},"modified":"2022-03-22T10:53:42","modified_gmt":"2022-03-22T09:53:42","slug":"darwin-darwah","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/darwin-darwah\/","title":{"rendered":"Darwin Darwah"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">DARWIN DARWAH<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">ARASH NASSIRI<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Video Installation<\/h4>\n\n\n\n<p><strong>CHRONIQUES <strong>Production<\/strong> 2018<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>Darwin Darwah is a computer-generated stereoscopic film. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">The camera sinks into catacombs of Paris to reveal an \u201carchaeology of the Web\u201d. According to these new myths spread on the Internet, the history of Paris is linked to the pyramids of Egypt, which were built by aliens, who also gave birth to Man on &#8220;Earth&#8221;.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_04-1024x576.png\" alt=\"\" class=\"wp-image-405\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_04-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_04-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_04-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_04.png 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/vlcsnap-2018-08-19-19h22m10s438-1024x576.png\" alt=\"\" class=\"wp-image-407\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/vlcsnap-2018-08-19-19h22m10s438-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/vlcsnap-2018-08-19-19h22m10s438-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/vlcsnap-2018-08-19-19h22m10s438-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/vlcsnap-2018-08-19-19h22m10s438.png 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_03-1024x576.png\" alt=\"\" class=\"wp-image-443\" width=\"606\" height=\"340\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_03-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_03-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_03-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Darwin_Darwah_2018_03.png 1500w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><figcaption><meta charset=\"utf-8\"><em>Darwin Darwah<\/em>, Arash Nassiri, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/darwin-darwah\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/darwin-darwah\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Darwin+Darwah&amp;url=https:\/\/chroniques-biennale.org\/en\/darwin-darwah\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Arash Nassiri <sup>(FRA-IRN)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"http:\/\/www.arashnassiri.com\" target=\"_blank\">www.arashnassiri.com<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">Arash Nassiri, born in Tehran in 1986, is a Franco-Iranian artist living and working in Paris. After a time spent at Paris School of Fine Arts and an exchange in Berlin to study the relationship between art and technology, he graduated from the Paris School of Decorative Arts and completed his studies at the Fresnoy in Tourcoing. In line with land art, Arash Nassiri uses settings as frames of work. Here, he examines Paris\u2019 network of catacombs to map out a journey to the centre of the Earth.<\/span><\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">MENTIONS AND CREDITS<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Directed by Arash Nassiri<br>Produced by Elsa Klughertz &#8211; Jonas Films<br>Production assistant Fanny B\u00e9gu\u00e9ly<br>Photographer Julien Benoit<br>Model maker Thibaut Rostagnat<br>3D graphic designer Pierre Yves Boisram\u00e9<br>Sound editor Amaury Arbre<br>Sound mixer Xavier Thieulin<br>Produced with the support of DICREAM &#8211; CNC<\/p>\n\n\n\n<p class=\"is-style-default\">Coproduction Chroniques, Edis &#8211; Fonds de Dotation, FRAC Provence-Alpes-C\u00f4te d&#8217;Azur<\/p>\n\n\n\n<p class=\"is-style-default\">Realised in the framework of the Chroniques production platform, supported by the R\u00e9gion Sud, coordinated by Seconde Nature and ZINC<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":797,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[25,26],"class_list":["post-752","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/797"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=752"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=752"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}