{"id":755,"date":"2020-07-29T12:47:33","date_gmt":"2020-07-29T10:47:33","guid":{"rendered":"\/?post_type=oeuvre&#038;p=755"},"modified":"2022-03-24T10:02:58","modified_gmt":"2022-03-24T09:02:58","slug":"median-2","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/median-2\/","title":{"rendered":"Median"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">M\u00c9DIAN<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">HIROAKI UMEDA<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Hybrid live performance<\/h4>\n\n\n\n<p><strong>CHRONIQUES <strong>Production<\/strong><\/strong> <strong>2018<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h5 class=\"wp-block-heading\">Biology, technology and human creativity are Hiroaki Umeda\u2019s allies in his brand new creation MEDIAN, driven by a singular ambition: to make flesh dance like matter in motion, in fusion with other matter.<\/h5>\n\n\n\n<p>The choreographic gesture is all the more striking because the entire show &#8211; dance, video and sound &#8211; is derived from microscopic structures that are inconceivable to the human brain. There is an apparent paradox here &#8211; but not for Hiroaki Umeda, who aspires to a techno-spiritual fusion of the body with its environment.Image and sound emerge here through a compuerised process, based on data collected from molecular structures and their kinetic energy.<\/p>\n\n\n\n<p>This is why he surrounds himself with four visual artists and two scientists,with the objective of an organic fusion of the two spheres, as close as possible to the scale of atoms and quarks. This is how dance can take the first step towards the dissolution of the body and of space.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1288\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_MEDIAN_CREDIT_Pierre-Gondard_-35-scaled.jpg\" alt=\"\" class=\"wp-image-402\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_MEDIAN_CREDIT_Pierre-Gondard_-35-scaled.jpg 2560w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_MEDIAN_CREDIT_Pierre-Gondard_-35-300x151.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_MEDIAN_CREDIT_Pierre-Gondard_-35-1024x515.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_MEDIAN_CREDIT_Pierre-Gondard_-35-768x386.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_MEDIAN_CREDIT_Pierre-Gondard_-35-1536x773.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_MEDIAN_CREDIT_Pierre-Gondard_-35-2048x1031.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-32.3-1024x576.png\" alt=\"\" class=\"wp-image-447\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-32.3-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-32.3-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-32.3-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-32.3-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-32.3.png 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>Median<\/em>, Hiroaki Umeda, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/median-2\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/median-2\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Median&amp;url=https:\/\/chroniques-biennale.org\/en\/median-2\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Hiroaki Umeda <sup>(JAP)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"http:\/\/hiroakiumeda.com\/project.html\" target=\"_blank\">hiroakiumeda.com\/project.html<\/a><\/div><div class=\"artisteContent\"><p>Hiroaki Umeda is a Japanese contemporary dancer, choreographer and visual artist. He founded his dance company in 2000, with which he began developing his own transdisciplinary works.Today,he is one of the leading figures of the avant-garde Japanese scene; his holistic methodology and the strong influence of the digital make his work widely recognized and respected. He considers dance to be not only made up of physical elements but also of optical, sonic, sensory and, above all, spatio-temporal elements. His main interest lies in the work of spatial and temporal dimensions. Beyond choreography, Umeda explores sound and light composition, and scenography.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">MENTIONS AND CREDITS<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>This show is a creation of the Chroniques production and distribution platform.<br>In co-production with the Ballet Preljocaj and the Sco- pitone Festival.<\/p>\n\n\n\n<p><strong>Distribution <\/strong>: Th\u00e9\u00e2tre National du Libert\u00e9 &#8211; Toulon<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":11098,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[25,26],"class_list":["post-755","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11098"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=755"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=755"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}