{"id":769,"date":"2020-07-29T12:45:38","date_gmt":"2020-07-29T10:45:38","guid":{"rendered":"\/?post_type=oeuvre&#038;p=769"},"modified":"2022-03-24T10:03:41","modified_gmt":"2022-03-24T09:03:41","slug":"the-crystal-and-the-blind-part-2","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/the-crystal-and-the-blind-part-2\/","title":{"rendered":"The crystal and the blind part 2"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong>THE CRYSTAL AND THE BLIND&nbsp;PART 2<\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\"><strong>HUGO DEVERCH\u00c8RE<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Hybrid installation<\/h4>\n\n\n\n<p>CHRONIQUES Production 2018<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-noMarginBottom\"><strong>This immersive and evolving work is connect<em>e<\/em>d in real time with <em>The Crystal &amp; the Blind [part I]<\/em> which is on display at Fresnoy,Studio des arts national de l\u2019art contemporain, in Tourcoing.<\/strong><\/p>\n\n\n\n<p>This ecosystem operates on different scales; interactions take place at the microscopic, macroscopic and regional levels. Observing it enables the reordering of memory and imagination, summoned by an artificial intelligence to extrapolate a new narrative. Through it, the present moment crystallizes the memory of this microcosm, as well as its future. The installation transcends time and distance, and enables entry into a state of observation.<\/p>\n\n\n\n<p>As passive spectators, faced with this world in incubation, we contemplate its autonomous ecosystem, continuously writing itself. Through these different reflections, the work raises issues related to agriculture in space: how can life be recreated in confinement?<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/3_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-1024x683.jpg\" alt=\"\" class=\"wp-image-382\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/3_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/3_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/3_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/3_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/3_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/1_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-1024x683.jpg\" alt=\"\" class=\"wp-image-384\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/1_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/1_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/1_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/1_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/1_HugoDeverchere_thecrystalandtheblind_3bisF\u00a9jcLett-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>The crystal and the blind part 2<\/em>, Hugo Deverch\u00e8re, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/the-crystal-and-the-blind-part-2\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/the-crystal-and-the-blind-part-2\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=The+crystal+and+the+blind+part+2&amp;url=https:\/\/chroniques-biennale.org\/en\/the-crystal-and-the-blind-part-2\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Hugo Deverch\u00e8re <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/hugodeverchere\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/hugodeverchere\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/hugodeverchere.com\" target=\"_blank\">hugodeverchere.com<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">Born in 1988 in Lyon, Hugo Deverch\u00e8re is a graduate of ENSAD Paris and the Le Fresnoy Studio National des Arts Contemporains. His work is a collection of experiences which represent so many leads to investigate and assess our relationship with the world. Be it through accounts, collected data, images that have been captured, produced, or simply found, his research has recourse to modelling, transposition or conversion processes which serve as a prism between real and representation.<\/span><\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">MENTIONS AND CREDITS<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>This installation is a creation of the Chroniques production and distribution platform.<br>Coproduction Chroniques, 3bisF<br>With the support of the Fresnoy-Studio national des arts contemporains and the participation of DICR\u00e9AM. <\/p>\n\n\n\n<p><strong>Distribution<\/strong> : EDIS Ardenome &#8211; Avignon<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":11100,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[25,26],"class_list":["post-769","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11100"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=769"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=769"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}