{"id":773,"date":"2020-07-29T12:44:44","date_gmt":"2020-07-29T10:44:44","guid":{"rendered":"\/?post_type=oeuvre&#038;p=773"},"modified":"2022-03-31T23:26:38","modified_gmt":"2022-03-31T21:26:38","slug":"revolution-au-metre-carre","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/revolution-au-metre-carre\/","title":{"rendered":"R\u00e9volution au m\u00e8tre carr\u00e9"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong>R\u00c9VOLUTION AU M\u00c8TRE CARR\u00c9<\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\"><strong>FLORIAN SCH\u00d6NERSTEDT<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Interactive virtual reality installation<\/h4>\n\n\n\n<p>CHRONIQUES Production 2018<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>Based on a real object \u2013 a cobblestone \u2013,this work re-creates, through its virtualization, the story of a revolution that is both always and never happening.<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">Digitally 3D-scanned cobbles somehow confront the real cob- blestones they document, thus drawing a poetical parallel between the revolution of thought induced by scientic discoveries and the revolution of people.<strong> <\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-36-1024x684.jpg\" alt=\"\" class=\"wp-image-464\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-36-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-36-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-36-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-36-1536x1025.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-36-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-39-1024x684.jpg\" alt=\"\" class=\"wp-image-379\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-39-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-39-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-39-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-39-1536x1025.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Les-Oeuvres-Aix_CREDIT_Pierre-Gondard_-39-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>R\u00e9volution au m\u00e8tre carr\u00e9<\/em>, <meta charset=\"utf-8\">Florian Sch\u00f6nerstedt, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/revolution-au-metre-carre\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/revolution-au-metre-carre\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=R%C3%A9volution+au+m%C3%A8tre+carr%C3%A9&amp;url=https:\/\/chroniques-biennale.org\/en\/revolution-au-metre-carre\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Florian Sch\u00f6nerstedt <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/schonerstedt.tumblr.com\" target=\"_blank\">schonerstedt.tumblr.com<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">Florian Sch\u00f6nerstedt was born in Draguignan in 1982 and lives and works in Nice. He works with animation cinema and hijacks its codes and techniques. The artist bases his approach on hauls of objects which become the raw materials for his films and installations. He exhaustively scans or photographs each object in a haul to obtain a sample of it, and his method evokes the classification of real life due to this exhaustivity.<\/span><\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">MENTIONS AND CREDITS<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Thanks to 3 bis f<\/p>\n\n\n\n<p class=\"is-style-default\">Development Romain Trachel and Jano Ha<br>Co-produced by Le Hublot and Chroniques<br>Realised within the framework of the production platform<br>Supported by the R\u00e9gion Sud<br>Coordinated by Seconde Nature and ZINC<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":380,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[25,26],"class_list":["post-773","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/380"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=773"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=773"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}