{"id":785,"date":"2020-07-29T12:39:30","date_gmt":"2020-07-29T10:39:30","guid":{"rendered":"\/?post_type=oeuvre&#038;p=785"},"modified":"2022-03-10T10:49:35","modified_gmt":"2022-03-10T09:49:35","slug":"le-silence-des-particules","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/le-silence-des-particules\/","title":{"rendered":"Le silence des particules"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong>le silence des particules<\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\"><strong>guillaume cousin<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n\n\n\n<p>CHRONIQUES Production 2018<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h5 class=\"wp-block-heading\">This artwork is singular,it does not exist outside its exhibi- tion time; it is a smoke sculpture.<\/h5>\n\n\n\n<p>At the bottom of the space an imposing machine renders visible an air movement by forming a ring of smoke that travels through space and time. The spectator is invited to contemplate. Time is writing. The time for which each ring exists is the equivalent of a word. There are the great fragile ones, the small, dense, fleeting ones, the grand ones which move slowly and with ma jesty, Mr.Perfect, the twins, the collisions\u2026These words constitute a sentence that is repeated in a 20-minute cycle, and the machine repeats the instructions precisely to produce the rings, which, in their travels, challenge the randomness of reality.<\/p>\n\n\n\n<p>The silence of the particles invites us to sense the emp- tiness that surrounds us, to widen our circle of perception, to highlight that everything is interaction. We observe millions of particles moving in coherence, forming a body, a body in its own time &#8211; and is this why this form feels so familiar to us?<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Practical information<\/h4>\n\n\n\n<p class=\"noMarginBottom\"><strong>DATE<\/strong><\/p>\n\n\n\n<p>10 nov. \u2013 15 d\u00e9c. 2018<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"693\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-1024x693.jpg\" alt=\"\" class=\"wp-image-461\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-1024x693.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-300x203.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-768x520.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-1536x1040.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-2048x1386.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-48-2-1024x684.jpg\" alt=\"\" class=\"wp-image-371\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-48-2-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-48-2-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-48-2-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-48-2-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-48-2.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-50-1024x684.jpg\" alt=\"\" class=\"wp-image-369\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-50-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-50-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-50-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-50-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-50.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>Le Silence des Particules<\/em>, Guillaume Cousin, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/le-silence-des-particules\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/le-silence-des-particules\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Le+silence+des+particules&amp;url=https:\/\/chroniques-biennale.org\/en\/le-silence-des-particules\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Guillaume Cousin <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/guillaume.cousin.5\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/guillaumecousin.art\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"http:\/\/www.guillaumecousin.fr\" target=\"_blank\">guillaumecousin.fr<\/a><\/div><div class=\"artisteContent\"><p>The artist describes himself as an \u2018experimental builder\u2019. HelivesandworksinVend\u00e9e.GuillaumeCousinconducts artistic research in the performing arts as a stage designer and lighting designer. This field has led him to making scenographic work which is often close to the plastic arts.At the same time,he conducts research work related to quantum physics, which takes the form of post-digital installations questioning our perception of matter and time, amidst the immense chains of action and reaction of which our world is made.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">MENTIONS AND CREDITS<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>This artwork is a creation of the Chroniques production and distribution platform.<br>Coproduction Le Grand R Sc\u00e8ne National de la Roche sur Yon, L\u2019experience Harmaat \u2013 fabrice LAMBERT. <\/p>\n\n\n\n<p><strong>Distribution<\/strong> : Th\u00e9\u00e2tre National du Libert\u00e9 &#8211; Toulon,Constel- lation num\u00e9rique &#8211; La Roche-sur-Yon, Interstices &#8211; Caen<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":369,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[25,26],"class_list":["post-785","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/369"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=785"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=785"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}