{"id":8510,"date":"2022-01-13T16:59:20","date_gmt":"2022-01-13T15:59:20","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8510"},"modified":"2024-05-14T12:25:52","modified_gmt":"2024-05-14T10:25:52","slug":"la-perception-de-lastronome","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/la-perception-de-lastronome\/","title":{"rendered":"La perception de l&#8217;astronome"},"content":{"rendered":"\n<h1 class=\"is-style-edge wp-block-heading\">La perception de l&#8217;astronome<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><meta charset=\"utf-8\">LUCIEN BITAUX<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation and visual art<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>The astronomer&#8217;s perception is an image machine based on the eye model.<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">It is a response to the &#8220;Perception Observatory&#8221; project, which will be developed in parallel from September. The astronomer&#8217;s perception is an installation that proposes an interpretation of neuronal reactions to the night sky. Different floating and moving elements embody the role of ideas and stimuli that animate the cortex when our eye is active in front of the stars. The viewer is plunged into the astronomer&#8217;s imagination, into the paradox between the infinite dimension of the stars and his own imagination, at the edge of the eye. This projected theatre transcribes this tension between the tangible materiality of the celestial vault and the tiny nervous reactions that allow us to conceive these spatial expanses.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/P1410293-1024x768.jpg\" alt=\"\" class=\"wp-image-11313\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/P1410293-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/P1410293-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/P1410293-768x576.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/P1410293-1536x1152.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/P1410293.jpg 1772w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Lucien Bitaux<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/la-perception-de-lastronome\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/la-perception-de-lastronome\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=La+perception+de+l%27astronome&amp;url=https:\/\/chroniques-biennale.org\/en\/la-perception-de-lastronome\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Lucien Bitaux<\/h2><div class=\"artisteContent\"><p>Na\u00efvely, Lucien Bitaux is looking for other ways of capturing and showing reality. This experimental and visual approach is based on the manufacture of his own instruments. His working protocol is similar to that of a scientific laboratory: he makes visualization devices, then produces images with these cobbled-together tools, then exhibits these results in special installation devices.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\"><meta charset=\"utf-8\"><meta charset=\"utf-8\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris.<\/p>\n\n\n\n<p class=\"is-style-default\">With the support of the Fresnoy\u2013 Studio national des arts contemporains.<br>Partnerships: NeuroArt Labs.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":11313,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[25,71,95],"class_list":["post-8510","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11313"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8510"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8510"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}