{"id":8511,"date":"2022-01-13T17:00:27","date_gmt":"2022-01-13T16:00:27","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8511"},"modified":"2024-05-14T12:25:59","modified_gmt":"2024-05-14T10:25:59","slug":"silence-painting","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/silence-painting\/","title":{"rendered":"Silence painting"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>SILENCE PAINTING<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">DIMITRI MALLET<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation and visual art<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><em><em>Silence Painting<\/em><\/em> is a set of monochrome paintings inspired by the phenomenon of the blue hour: a moment in the day when the sky is an electric blue and nature is completely silent.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_face-blanc-1024x614.jpg\" alt=\"\" class=\"wp-image-11876\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_face-blanc-1024x614.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_face-blanc-300x180.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_face-blanc-768x461.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_face-blanc-1536x922.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_face-blanc-2048x1229.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">Image d\u2019intention pour <em>Silence Painting<\/em> \u00a9 Dimitri Mallet, ADAGP 2022<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_angle-bleu-1-1024x683.jpg\" alt=\"\" class=\"wp-image-11878\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_angle-bleu-1-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_angle-bleu-1-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_angle-bleu-1-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_angle-bleu-1-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Silence_Painting_\u252c\u00aeDimitriMallet_angle-bleu-1-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Image d\u2019intention pour <em>Silence Painting<\/em> \u00a9 Dimitri Mallet, ADAGP 2022<br><\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/silence-painting\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/silence-painting\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Silence+painting&amp;url=https:\/\/chroniques-biennale.org\/en\/silence-painting\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Dimitri Mallet <sup>(FR)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/dimitri.mallet.31\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/dimitrirobertmallet\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><\/div><div class=\"artisteContent\"><p class=\"p1\">Born in Avignon in 1983 and living and working in Paris, Dimitri Mallet situates his research on the borderlines between various physical aspects of cognition and of social construction. Frequently referencing minimalism and conceptual heritage, he enters into continual mental dialogue with his audience. In this dialogue, the artist is the one shining a light on paradoxes and inversing the syntaxes of common perception and of the awareness of the self as part of the whole.<\/p>\n<p class=\"p1\">His work has notably been exhibited at the Val-de-Marne Contemporary Art Museum, at the Villeurbanne Contemporary Art Institute in collaboration with the Association for the International Diffusion of French Art, at the Th\u00e9\u00e2tre de Privas Gallery and Contemporary Art Space in tune with the Lyon Biennale of Contemporary Art, at the Atelier Calder, at Art Cologne, and so on. Mallet often collaborates with the Atelier Arcay in Paris and in 2020, he took part in the Manifesta 13 European biennale, Parallels of the South, in Marseille and Nice.<\/p>\n<p class=\"p1\">In April 2022, he and architect Sergio Carvalho inaugurated a project in the Ellergronn nature reserve in Luxembourg as part of Esch 2022: European Capital of Culture.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\"><meta charset=\"utf-8\"><meta charset=\"utf-8\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris.<\/p>\n\n\n\n<p>Co-production: Solang production.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":8292,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[25,71,95],"class_list":["post-8511","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/8292"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8511"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8511"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}