{"id":8513,"date":"2022-01-13T17:01:03","date_gmt":"2022-01-13T16:01:03","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8513"},"modified":"2022-05-27T11:31:33","modified_gmt":"2022-05-27T09:31:33","slug":"hiku","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/hiku\/","title":{"rendered":"Hiku"},"content":{"rendered":"\n<h1 class=\"is-style-edge wp-block-heading\">Hiku<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><meta charset=\"utf-8\">ERIC MINH CUONG CASTAING &amp; ANNE-SOPHIE TURION<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Performing arts<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>At the beginning of 2020, <meta charset=\"utf-8\">Eric Minh Cuong Castaing et Anne-Sophie Turion immersed ourselves in the life of a hikikomori reintegration association and were able to get in touch with some of them. <\/strong><\/p>\n\n\n\n<p>Between documentary, cinema and choreography, HIKU stages this group of hikikomori in rehabilitation. On stage, recorded material &#8211; sound and video shot in Japan &#8211; intertwines with live actions; accompanied by performers, three hikikomoris take over the stage remotely from Japan.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/HIKU_cie-shonen-cie-grandeur-nature_yoshidanature_cache\u0301-1024x768.png\" alt=\"HIKU - cie shonen - cie grandeur nature\" class=\"wp-image-11531\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/HIKU_cie-shonen-cie-grandeur-nature_yoshidanature_cache\u0301-1024x768.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/HIKU_cie-shonen-cie-grandeur-nature_yoshidanature_cache\u0301-300x225.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/HIKU_cie-shonen-cie-grandeur-nature_yoshidanature_cache\u0301-768x576.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/HIKU_cie-shonen-cie-grandeur-nature_yoshidanature_cache\u0301-1536x1152.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/HIKU_cie-shonen-cie-grandeur-nature_yoshidanature_cache\u0301-2048x1536.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Eric Minh Cuong Castaing &amp; Anne-Sophie Turion<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/hiku\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/hiku\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Hiku&amp;url=https:\/\/chroniques-biennale.org\/en\/hiku\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Eric Minh Cuong Castaing and Anne-Sophie Turion <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/compagnie.shonen\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/mwlite\/company\/shonen\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/shonen_cie\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/shonen_cie\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"http:\/\/www.shonen.info\/\" target=\"_blank\">http:\/\/www.shonen.info\/<\/a><\/div><div class=\"artisteContent\"><div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>E\u0301ric Minh Cuong Castaing, choreographer and visual artist, develops shows, performances, films or installations that cross dance and image, calling upon new technologies as new structures of perception. Associating professional dancers and amateur dancers, his \u2018In Socius\u2019 projects take shape within specific societal realities, associating institutions outside the field of art (care centers, schools&#8230;).<\/p>\n<p>Anne-Sophie Turion declines her appetence for the living and the visual in the form of in-situ interventions, performances and shows. From the black box to the open air, she orchestrates reality into fiction. Seizing with humor the artifices of the theater or the cinema, she makes narratives with apparent cogs: images and scenarios are built live, letting the real life emerge on stage.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Conception, choregraphy, scenography, directing: \u00c9ric Minh Cuong Castaing, Anne-Sophie Turion<br>Set performance: \u00c9ric Minh Cuong Castaing, Anne-Sophie Turion, Yuika Hokama<br>Online performance: casting in process<br>Dramaturgy: Marine Relinger<br>Support: Elise Simonet<br>Sound: Renaud Bajeux<br>Light: V\u00e9ra Martins<br>Technic: Stanislas Kopec<br>Production: Claire Crova<br>Administration: Tiffanie Sebbag<br>Intern: Alice Gabay<\/p>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris.<\/p>\n\n\n\n<p>Production: Cie Shonen<br>Collaboration: Cie Grandeur Nature<\/p>\n\n\n\n<p>Partners (Japan): Villa Kujoyama (Kyoto), Association New Start Kansai (Takatsuki), Ritsumeikan University (Kyoto), Kyoto University (Kyoto)<\/p>\n\n\n\n<p>Par<meta charset=\"utf-8\">tners (Europe):<br>Groupe des 20 Th\u00e9\u00e2tres en \u00cele-de-France, Minist\u00e8re de la Culture &#8211; Bourse de recherche \u201cMondes Nouveaux\u201d, Th\u00e9\u00e2tre Export avec le soutien de l\u2019Institut fran\u00e7ais \u00e0 Paris, Dicr\u00e9am &#8211; CNC, La Fondation des artistes, 3bisf (Aix-en-Provence), 2 angles (Flers), Les Ballets C de la B (Gand), Charleroi-Danse (Charleroi), Th\u00e9\u00e2tre de l&#8217;entresort &#8211; centre National de la cr\u00e9ation adapt\u00e9e, Fondation des artistes, Scam &#8211; Bourse brouillon d&#8217;un r\u00eave.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":11375,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[28,25],"class_list":["post-8513","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11375"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8513"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8513"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}