{"id":8520,"date":"2022-01-13T17:03:24","date_gmt":"2022-01-13T16:03:24","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8520"},"modified":"2024-05-14T12:26:15","modified_gmt":"2024-05-14T10:26:15","slug":"the-lights-which-can-be-heard","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/the-lights-which-can-be-heard\/","title":{"rendered":"The lights which can be heard"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong><strong>THE LIGHTS WHICH CAN BE HEARD<\/strong>\u00a0\u2013 LE DERNIER SON DES AURORES<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">S\u00c9BASTIEN ROBERT<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation and visual art<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"wp-block-paragraph\"><strong><em><strong><em>The Lights Which Can Be Heard<\/em>\u00a0<em>\u2013 Le dernier son des aurores<\/em><\/strong><\/em> is a research and creation project about the sound of the aurora borealis, which has long been witnessed by various indigenous communities in the Arctic. Despite the many accounts, the Western scientific community denied their existence for decades until some hypotheses about their origin began to surface in the 1950s, but are still debated today.\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Some believe that the natural VLF (Very Low Frequency) radio waves produced by the aurora borealis can be perceived in the observer\/listener&#8217;s environment. Some natural elements (minerals or crystals) would act as receivers and transform the radio waves (electromagnetic) into the audible spectrum (acoustic). Without rejecting any hypothesis, it is this last one that caught S\u00e9bastien&#8217;s attention for his project.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despite successful recordings following a three-week residence on And\u00f8ya in Norway, S\u00e9bastien realised that the VLF waves emitted by the aurora are increasingly difficult to perceive because they are more and more drowned out by artificial signals. They are therefore bound to disappear. Inspired by this unique context, and in the continuity of his previous work, S\u00e9bastien is currently developing a body of work around this research, which will allow the audience to perceive the sounds of the aurora borealis while preserving them in light.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"690\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-1024x690.jpg\" alt=\"\" class=\"wp-image-11201\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-1024x690.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-300x202.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-768x517.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-1536x1035.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-2048x1379.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">And\u00f8ya, Octobre 2021 \u00a9 S\u00e9bastien Robert<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"690\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-1024x690.jpg\" alt=\"\" class=\"wp-image-11204\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-1024x690.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-300x202.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-768x517.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-1536x1035.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-2048x1379.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Lofoten, February 2022 \u00a9 S\u00e9bastien Robert<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default wp-block-paragraph\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/the-lights-which-can-be-heard\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/the-lights-which-can-be-heard\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=The+lights+which+can+be+heard&amp;url=https:\/\/chroniques-biennale.org\/en\/the-lights-which-can-be-heard\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-1000x1000.jpg\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>L\u00e1szl\u00f3 Zsolt Bordos <sup>(HU)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/bordos.eu\" target=\"_blank\">bordos.eu<\/a><\/div><div class=\"artisteContent\"><p><b><span dir=\"auto\">L\u00e1szl\u00f3 Zsolt Bordos<\/span><\/b><span dir=\"auto\">\u00a0est un artiste hongrois n\u00e9 \u00e0 Bra\u0219ov, en Transylvanie (Roumanie), en 1977. Il s&#8217;installe en Hongrie en 1997, o\u00f9 il \u00e9tudie \u00e0 l&#8217;Acad\u00e9mie hongroise des beaux-arts de Budapest, puis, gr\u00e2ce \u00e0 une bourse, au MediaLab de l&#8217;UIAH (Universit\u00e9 d&#8217;art et de design) d&#8217;Helsinki. Il travaille avec des vid\u00e9oprojecteurs depuis l&#8217;an 2000. Reconnu comme l&#8217;un des pionniers du genre, il s&#8217;est illustr\u00e9 par ses premi\u00e8res performances de VJing 3D (2000-2004), ses projections novatrices (2005-2006) et ses \u0153uvres de mapping 3D r\u00e9alis\u00e9es depuis 2007. Participant \u00e0 de nombreuses expositions et festivals d&#8217;art, il a pr\u00e9sent\u00e9 son travail dans plus de 40 pays, notamment au Mapping Festival de Gen\u00e8ve, \u00e0 Glow Eindhoven, \u00e0 Signal Prague, \u00e0 Lux Helsinki, \u00e0 Filux Mexico, \u00e0 Ars Electronica Linz, au ZKM Karlsruhe et au Festival des arts d&#8217;Ad\u00e9la\u00efde. Les domaines d&#8217;int\u00e9r\u00eat de Bordos sont la cartographie d&#8217;objets, les projections architecturales, les projections de d\u00e9cors pour le th\u00e9\u00e2tre et l&#8217;op\u00e9ra, et il est impliqu\u00e9 dans des projets avec le M\u0170PA (Palais des Arts de Hongrie), le Semperoper de Dresde, l&#8217;Op\u00e9ra de Dijon et le Barbican Centre de Londres.<\/span><\/p>\n<p><span dir=\"auto\">Bordos a lanc\u00e9 plusieurs projets tels que : le premier\u00a0<\/span><b><span dir=\"auto\">concours de vid\u00e9o mapping<\/span><\/b><span dir=\"auto\">\u00a0au monde (organis\u00e9 \u00e0 Budapest en 2010),\u00a0<\/span><b><span dir=\"auto\">ALO \u2013 Art of Light Organization<\/span><\/b><span dir=\"auto\">\u00a0(2020),\u00a0\u00a0<\/span><span dir=\"auto\">le\u00a0<\/span><span dir=\"auto\"><b>Manifeste de l&#8217;art lumineux<\/b>\u00a0(2021),\u00a0\u00a0<b>le cours d&#8217;art lumineux \u00e0 MOME<\/b>\u00a0\u2013 l&#8217;Universit\u00e9 d&#8217;art et de design Moholy-Nagy de Budapest (depuis 2021), cofondateur et pr\u00e9sident de\u00a0<b>LIGHTHOUSE<\/b>\u00a0\u2013 l&#8217;association des artistes lumineux hongrois\u00a0\u00a0(entre 2021 et 2023)\u00a0, initiateur et cofondateur de\u00a0<b>LAM \u2013 le\u00a0<\/b><b>Mus\u00e9e d&#8217;art lumineux<\/b>\u00a0de Budapest\u00a0(2022),\u00a0\u00a0co-organisateur des\u00a0<b>symposiums bisannuels sur la lumi\u00e8re<\/b>\u00a0en Hongrie (depuis 2023),\u00a0\u00a0membre de la\u00a0\u00a0<b>John von Neumann Computer Society\u00a0<\/b>\u00a0(depuis 2024)\u00a0,\u00a0\u00a0copr\u00e9sident de la\u00a0<b>Soci\u00e9t\u00e9 internationale Kepes<\/b>\u00a0(depuis 2024)\u00a0.<\/span>\u00a0<b><\/b>\u00a0<b><\/b><b><\/b><b><\/b><b><\/b><b><\/b><b><\/b><b><\/b><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"wp-block-paragraph\">Originally commissioned by STRP Festival<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With the financial support of Stroom Den Haag, DICR\u00e9AM, Fonds [SCAN] Auvergne-Rh\u00f4ne-Alpes, and Stimuleringsfonds Creatieve Industrie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With the intellectual support of The Royal Library of the Netherlands, The Troms\u00f8 Geophysical Observatory, Fiona Armery (University of Cambridge), Rob Stammes (Polarlightcenter), Harald Gaski (University of Troms\u00f8 ), Hans Ragnar Mathisen and Matti Aikio<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With the technical support of Lucien Nicou (design + production), Leandros Ntolas (light + optics), Pim Kerssemakers (metalwork), Mark IJzerman (TouchDesigner) and Zois Loumakis (hardware + software)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Under the artistic supervision of Jean-Emmanuel Rosnet<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Initiated during the Arctic Wave residency (And\u00f8ya, NO)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><meta charset=\"utf-8\">Partner: Les M\u00e9janes &#8211; Biblioth\u00e8que et Archives Michel Vovelle<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"is-style-noMarginBottom wp-block-paragraph\"><\/p>\n","protected":false},"featured_media":11201,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[25,71,95],"class_list":["post-8520","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11201"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8520"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8520"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}