{"id":8521,"date":"2022-01-13T17:03:40","date_gmt":"2022-01-13T16:03:40","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8521"},"modified":"2022-05-11T12:18:37","modified_gmt":"2022-05-11T10:18:37","slug":"infinite-watchfulness","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/infinite-watchfulness\/","title":{"rendered":"Infinite Watchfulness"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>veille infinie<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">DONATIEN AUBERT<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Immersive installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><em>Infinite Watchfulness <\/em>is an immersive, video and plastic installation. It incorporates a virtual reality experience, a CGI short film, 3D animations conceived for various digital devices (a laser projector, holographic blocks, a LED panel) as well as several sculptures created thanks to computer assisted design and manufacturing. <\/strong><\/p>\n\n\n\n<p><em>Infinite Watchfulness <\/em>is organized around the themes that structure the public debate concerning digital technologies today: the cognitive economy, the question of data sovereignty, the legality of attentional capture and profiling techniques. <\/p>\n\n\n\n<p>Hyperconnection to global information networks has introduced a new normativity: we have the responsibility to be available at all times. In doing so, a time of our lives that is usually &#8220;unproductive&#8221;, the night, is nibbled away by utilitarian and commercial rationales. <\/p>\n\n\n\n<p><em>Infinite Watchfulness <\/em>shows how digital technologies have transformed our outlook regarding work, leisure and sexuality, under the effect of new constraints, inherent to the submission of our social relationships to computing.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-1-1024x576.png\" alt=\"\" class=\"wp-image-11197\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-1-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-1-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-1-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-1-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-1.png 1772w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Donatien Aubert<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-2-1024x576.png\" alt=\"\" class=\"wp-image-11199\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-2-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-2-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-2-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-2-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/veille-infinie-2.png 1772w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Donatien Aubert<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/infinite-watchfulness\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/infinite-watchfulness\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Infinite+Watchfulness&amp;url=https:\/\/chroniques-biennale.org\/en\/infinite-watchfulness\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Donatien Aubert <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/donatien.aubert\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/in\/donatien-aubert\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/donatienaubert\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"http:\/\/www.donatienaubert.com\/\" target=\"_blank\">http:\/\/www.donatienaubert.com\/<\/a><\/div><div class=\"artisteContent\"><div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Donatien Aubert is an artist, researcher and author. He produces hybrid works questioning in a technocritical perspective the sources of digital cultures.<\/p>\n<p>He is a graduate of the E\u0301cole nationale supe\u0301rieure d&#8217;Arts de Paris-Cergy and of the Faculty of Arts and Humanities of Sorbonne University (PhD in comparative literature) and was a researcher for three years at EnsadLab (the Laboratory of the E\u0301cole nationale supe\u0301rieure des arts de\u0301coratifs).<\/p>\n<p>He has been exhibited in several biennials (Ne\u0301mo, Chroniques) and his work has been presented internationally (Taipei, Kyoto, Moscow, Lausanne, and Esch Belval in 2022, in Luxembourg). He is the winner of the CNAP photographic commission &#8220;Image 3.0&#8221; in 2020. He is represented by the Odile Ouizeman Gallery in Paris.<\/p>\n<p>He is published by E\u0301ditions Hermann (Vers une disparition programmatique d&#8217;Homo sapiens?, 2017) and has participated in scientific works, such as L&#8217;art de la me\u0301moire et les images mentales (2018), by E\u0301ditions du Colle\u0300ge de France.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-noMarginBottom\">A co-production with the <strong>CHRONIQUES CR\u00c9ATIONS<\/strong> platform, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the Institut Fran\u00e7ais in Paris, the 3 bis f &#8211; Centre d&#8217;arts contemporains, N\u00e9mo, Biennale des Arts Num\u00e9riques de la R\u00e9gion \u00cele-de-France, and Le CENTQUATRE-PARIS<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":11197,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[95,71],"class_list":["post-8521","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11197"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8521"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8521"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}