{"id":8522,"date":"2022-01-13T17:04:04","date_gmt":"2022-01-13T16:04:04","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8522"},"modified":"2022-05-10T14:30:44","modified_gmt":"2022-05-10T12:30:44","slug":"captive","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/captive\/","title":{"rendered":"Captive"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>CAPTIVE<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">ROMAIN TARDY<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation and visual art<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><strong>\u201cNight life\u201d, in its contemporary meaning, is often associated to a high-spirited domain of intense collective activity.<\/strong><\/strong><\/p>\n\n\n\n<p>At the other end of the spectrum, the night is also an opportunity to regain a relationship with one\u2019s own privacy, which, in a passage of time that is returned to the solitary individual, which moves away from the constant expectation that every minute and every second available to us should be filled.<\/p>\n\n\n\n<p>In a period marked by the increasing blurring of the lines between the professional and private spaces, where a break from time spent working becomes more and more pressing \u2013 does resting, having a moment to oneself not, in itself, represent a form of disobedience?<\/p>\n\n\n\n<p>Through an installation comprising sleeping pods \u2013 the chambers used in Capsule hotels \u2013 which the audience are invited into, the Captive project will offer an intimate face-to-face encounter with an audiovisual piece that is at the same time close and strangely absent.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Captive_Simulation_24-1-1024x576.jpg\" alt=\"\" class=\"wp-image-11284\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Captive_Simulation_24-1-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Captive_Simulation_24-1-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Captive_Simulation_24-1-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Captive_Simulation_24-1-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Captive_Simulation_24-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Romain Tardy<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/captive\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/captive\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Captive&amp;url=https:\/\/chroniques-biennale.org\/en\/captive\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Romain Tardy<\/h2><div class=\"artisteContent\"><p class=\"p1\">Romain Tardy has been working in the field of contemporary visual creation since 2008. His work, developed as a series of poetic experiences using light, video mapping, objects and sound, can often be found in numerous countries around the world. The matter of our relationship with technology as well as the bearing it has on our society are at the heart of his work. That said, Romain Tardy refutes the \u201cdigital art\u201d tag<span class=\"s1\">\u2014his first goal is to create tangible artworks and physical offline experiences in which the screen is never the limit.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\"><meta charset=\"utf-8\"><meta charset=\"utf-8\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris.<\/p>\n\n\n\n<p>Delegated production: <meta charset=\"utf-8\">LDA Productions.<\/p>\n\n\n\n<p>Coproduction:\u00a0 \u201cSecteur Arts Num\u00e9riques, F\u00e9d\u00e9ration Wallonie-Bruxelles\u201d.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":8263,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[25,71,95],"class_list":["post-8522","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/8263"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8522"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8522"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}