{"id":8523,"date":"2022-01-13T17:04:13","date_gmt":"2022-01-13T16:04:13","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8523"},"modified":"2022-05-19T14:30:06","modified_gmt":"2022-05-19T12:30:06","slug":"les-telepathes","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/les-telepathes\/","title":{"rendered":"Les t\u00e9l\u00e9pathes"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>LES T\u00c9L\u00c9PATHES<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">CLAIRE WILLIAMS<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Electro-mechanical installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><em><em>The Telepaths<\/em><\/em> is an installation that explores spaces of somnolence, hypnotic or comatose states. It questions the common grounds between the materiality of our conscience and&nbsp; the machines that we shape at the image of our neuronal activity. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\"><em>The Telepaths<\/em> proposes to explore these spectral states through the neuronal activity of people who are in a state of deep coma by imagining a \u00abtelepathic device\u00bb where their electrical activity irradiates and navigates in the form of waves and sounds. It imagines a sort of collective parallel conscious, a spectral world formed by our electromagnetic and psychic activity.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2283\" height=\"2560\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/telepathes_proto_mars-scaled.jpg\" alt=\"\" class=\"wp-image-11382\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/telepathes_proto_mars-scaled.jpg 2283w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/telepathes_proto_mars-268x300.jpg 268w\" sizes=\"auto, (max-width: 2283px) 100vw, 2283px\" \/><figcaption>Work in progress \u00a9 Claire Williams<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/les-telepathes\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/les-telepathes\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Les+t%C3%A9l%C3%A9pathes&amp;url=https:\/\/chroniques-biennale.org\/en\/les-telepathes\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Claire Williams <sup>(BEL)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/claire.williams.9887\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/claire_wiwi\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"http:\/\/www.xxx-clairewilliams-xxx.com\/\" target=\"_blank\">http:\/\/www.xxx-clairewilliams-xxx.com\/<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\">The artworks of Claire Williams take the form of woven antennas, glass sculptures filled with plasma or devices that sense the invisible.<\/p>\n<p class=\"p2\">Data of radio telescopes and scanners materialise themselves in knitted stitches, sound vibrations or through luminous plasma. She sculpts her electronic components to make visible the electromagnetic movements from the cosmos, through our magnetosphere, to radio waves that cross our terrestrial environment or the ones emanating from our bodies.<\/p>\n<p class=\"p2\">She is currently working on the exploration of ether, at the cross roads of experimental and occult science practices. In this way she explores our relationship to the world of the invisible and their instruments by reviving abandoned leads of certain scientific and researches of the mid 19th century.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\"><meta charset=\"utf-8\"><meta charset=\"utf-8\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris.<\/p>\n\n\n\n<p class=\"is-style-default\">In coproduction with \u201cSecteur Arts Num\u00e9riques, F\u00e9d\u00e9ration Wallonie-Bruxelles\u201d and the support of Fondation Vasarely.<\/p>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Collaborations : Coma Science Group <meta charset=\"utf-8\">Li\u00e8ge (Alice Barra), Giga Consciousness, Baptiste de la Gorce, <meta charset=\"utf-8\">Oktostudio, glass production by the students of Lyc\u00e9e Dorian : David Valls, <meta charset=\"utf-8\">C\u00e9cile Chevalier, Fr\u00e9d\u00e9rique\u00a0 Dupuis,\u00a0 Natacha\u00a0 Gabrielli, Caroline Ghounaris, Marouan Glad, Dorian\u00a0 Le Thuaut, Anne-France Lemoine, Lauriane\u00a0 Nancy, Liam Ngangue, L\u00e9ane Parison, Maxence Seasseau.<\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":23093,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[25,71,95],"class_list":["post-8523","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/23093"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8523"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8523"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}