{"id":8524,"date":"2022-01-13T17:04:41","date_gmt":"2022-01-13T16:04:41","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8524"},"modified":"2022-05-10T14:16:40","modified_gmt":"2022-05-10T12:16:40","slug":"the-shape-of-things-to-come","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/the-shape-of-things-to-come\/","title":{"rendered":"The shape of things to come"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>THE SHAPE OF THINGS TO COME<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">DIEGO ORTIZ &amp; HERNAN ZAMBRANO<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><meta charset=\"utf-8\"><strong><em>The Shape of Things to Come<\/em> is an interactive art installation that uses air quality data on a given territory in an interactive way. <\/strong><\/p>\n\n\n\n<p>It invites the public to enter an arch made of recycled plastic, and to discover the invisible: the impact of humans on the atmosphere. By transforming the quality of the air into the quality of light, she shows this environmental problem in an interactive, but also dreamlike and poetic way.<\/p>\n\n\n\n<p>Following the principles of biomimicry, its shape and design are inspired by the architecture of garden birds&#8217; nests. It is made of recycled plastic, in a process of transforming waste into artistic material. Its interactive device, inspired by kinetic art, reveals the traces left by some of our polluting activity on the planet.&nbsp;<\/p>\n\n\n\n<p>The installation designed by Diego Ortiz and Hernan Zambrano acts as an eye-opener and a source of information, but also as a sentinel and a refuge: while alerting us to our role in atmospheric pollution, it offers us the prospect of concrete alternatives for our lifestyles, such as frugality, reuse and observation of the living.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE_THESHAPEOFTHINGSTOCOME-1024x768.jpeg\" alt=\"\" class=\"wp-image-11269\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE_THESHAPEOFTHINGSTOCOME-1024x768.jpeg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE_THESHAPEOFTHINGSTOCOME-300x225.jpeg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE_THESHAPEOFTHINGSTOCOME-768x576.jpeg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE_THESHAPEOFTHINGSTOCOME-1536x1152.jpeg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE_THESHAPEOFTHINGSTOCOME.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Diego Ortiz<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE2_THESHAPEOFTHINGSTOCOME-1024x683.jpg\" alt=\"\" class=\"wp-image-11271\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE2_THESHAPEOFTHINGSTOCOME-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE2_THESHAPEOFTHINGSTOCOME-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE2_THESHAPEOFTHINGSTOCOME-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE2_THESHAPEOFTHINGSTOCOME-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/IMAGE2_THESHAPEOFTHINGSTOCOME-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Diego Ortiz<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/the-shape-of-things-to-come\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/the-shape-of-things-to-come\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=The+shape+of+things+to+come&amp;url=https:\/\/chroniques-biennale.org\/en\/the-shape-of-things-to-come\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Artists<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2021\/01\/Diego-Ortiz.jpg\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Diego Ortiz <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Diego Ortiz is a Franco-Colombian artist born in Cali, Colombia in 1980. He lives and works in Marseille. His work questions the relationship between reality and fiction, through the creation of interactive <\/span><i><span style=\"font-weight: 400;\">dispositif<\/span><\/i><span style=\"font-weight: 400;\"> and projects that offer singular relational contexts.\u00a0<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Hernan Zambrano<\/h2><div class=\"artisteContent\"><p class=\"p1\">A graduate of the School of Fine Arts in Cali, Colombia, Hernan Zambrano is an artist-researcher in the arts and sciences of light. He explores new forms of production of eco-responsible art and committed to the preservation of the balance of natural systems.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris. Delegated production: Dark Euphoria. Partnership: Precious Plastic, Coco Velten, Ici Marseille.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":22774,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[25,71,95],"class_list":["post-8524","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/22774"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8524"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8524"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}