{"id":8525,"date":"2022-01-13T17:05:11","date_gmt":"2022-01-13T16:05:11","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8525"},"modified":"2022-09-05T16:03:07","modified_gmt":"2022-09-05T14:03:07","slug":"perpetuite-ii","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/perpetuite-ii\/","title":{"rendered":"Perp\u00e9tuit\u00e9 II"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong><meta charset=\"utf-8\">Perp\u00e9tuit\u00e9 II<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\">FELIX LUQUE-SANCHEZ, Damien Gernay et Vincent Evrard<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation and visual art<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>Here is a dream that haunts us: an industrial robot finds itself in its pharmaceutical production line in front of a tray filled with thousands of pills, these are &#8220;legal&#8221; drugs, sleeping pills, antidepressants&#8230; It moves at full speed, but with great precision, and it positions the pills not to put them in packets, but this time, to create some kind of pictures, paintings, computer abstractions.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">Industrial robots are now replacing us as masters of repetition, collaborative work, data and calculation. They are designed to perform repetitive tasks with almost absolute precision. They perform them without fatigue, without need, without hesitation and without questioning the reason. It is the mastery of automation, an inescapable synchronous symphony. But they also replace Sisyphus, condemned like him to repeat and undo a task to perpetuity. <\/p>\n\n\n\n<p>For this exhibition project, we would like to stage robots in endless tasks guided by algorithms, in a kind of perpetual performance. <\/p>\n\n\n\n<p>The imaginary that it carries is that of our realization through the technological dream. When human society faces extinction, the eternal becomes a new task for our machines, a utopia in a future purged of humanity. The myth of the Singularity looms&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"459\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Capture-de\u0301cran-2021-12-01-a\u0300-10.02.21.png\" alt=\"\" class=\"wp-image-8255\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Capture-de\u0301cran-2021-12-01-a\u0300-10.02.21.png 662w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Capture-de\u0301cran-2021-12-01-a\u0300-10.02.21-300x208.png 300w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Felix Luque-Sanchez<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-1024x1024.jpg\" alt=\"\" class=\"wp-image-11280\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-1024x1024.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-300x300.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-150x150.jpg 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-768x768.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-1536x1536.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-2048x2048.jpg 2048w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-1000x1000.jpg 1000w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/04\/393-360x360.jpg 360w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Felix Luque-Sanchez<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/perpetuite-ii\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/perpetuite-ii\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Perp%C3%A9tuit%C3%A9+II&amp;url=https:\/\/chroniques-biennale.org\/en\/perpetuite-ii\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Damien Gernay <sup>(FR)<\/sup><\/h2><div class=\"artisteContent\"><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; ACKNOWLEDGEMENTS<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Conception: F\u00e9lix Luque S\u00e1nchez, Damien Gernay et Vincent Evrard<\/p>\n\n\n\n<p class=\"is-style-default\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris.<\/p>\n\n\n\n<p class=\"is-style-default\">A coproduction of CHRONIQUES and \u201csecteur arts num\u00e9riques, F\u00e9d\u00e9ration Wallonie-Bruxelles\u201d and iMAL.&#8221;<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":8255,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[25,71,95],"class_list":["post-8525","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/8255"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8525"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8525"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}