{"id":8526,"date":"2022-01-13T17:05:29","date_gmt":"2022-01-13T16:05:29","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8526"},"modified":"2022-05-11T13:35:47","modified_gmt":"2022-05-11T11:35:47","slug":"avancee-immobile","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/avancee-immobile\/","title":{"rendered":"Negative Space"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>Negative Space<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">OLIVIER RATSI<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>A closed and misty dark room, punctually lit by luminous white tubes, simulates an endless corridor. Enveloped by a sound ambiance in resonance with the strong black\/white contrasts, the spectator gropes his way through this ambiguous and vaporous space, giving him the sensation of crossing doors of light.<\/strong><\/p>\n\n\n\n<p>The intermittent light, based on patterns, (de)constructs an unreal space. The work relies on the phenomenon of retinal persistence and on the law of simultaneous color contrast, where the negative \/ positive simulates a movement and the effects of transparency and opacity cause a loss of spatial references.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/negative-space-IMG_0641_DxO-bassedef-ok-1024x683.jpg\" alt=\"\" class=\"wp-image-11419\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/negative-space-IMG_0641_DxO-bassedef-ok-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/negative-space-IMG_0641_DxO-bassedef-ok-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/negative-space-IMG_0641_DxO-bassedef-ok-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/negative-space-IMG_0641_DxO-bassedef-ok-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/negative-space-IMG_0641_DxO-bassedef-ok-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Olivier Ratsi<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/avancee-immobile\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/avancee-immobile\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Negative+Space&amp;url=https:\/\/chroniques-biennale.org\/en\/avancee-immobile\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Olivier Ratsi <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.instagram.com\/olivier_ratsi\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><li><a href=\"https:\/\/vimeo.com\/543629267\/cf96ceef55\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-vimeo\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/www.crossedlab.org\/\" target=\"_blank\">www.ratsi.com<\/a><\/div><div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">French visual artist. Lives and works in Grand Paris. <\/span><span style=\"font-weight: 400;\">Olivier Ratsi (b.1972) creates site-specific art and immersive installations using light and mapping video projections. In his work he explores reality, time, space and matter as a series of intangible informative notions. Focusing on the experience of reality and its representations, as well as the perception of space, he conceives works that encourage the viewer to question their own interpretation of what is real.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ratsi\u2019s works are not specifically aimed to unleash emotions or to perturb the senses, but rather to work as a catalyst for different points of view and cultural and psychological references. As part of his process, Ratsi creates systems that deconstruct spatio-temporal reference points. Fascinated with the vanishing point and the role of optical perspective in the history of art, from his meticulous studies of spatial representation, combined with technical and scientific knowledge, Ratsi is able to understand and distort the perception of space: \u201cI override perspective conventions in order to break with the \u2018normality\u2019 in front of us \u2014 that which seems obvious at first glance. Challenging perspective allows me to ask questions on many different levels about our own perceptions.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ratsi is known as one of the co-founders and former member of the artist collective AntiVJ. Now working as a solo artist, he has had solo and group exhibitions around the world, including at Denise Ren\u00e9 Gallery and Charlot Gallery, Paris, FR; Atsuko gallery, Tokyo, JP; Puerta Roja, Hong Kong, HK; and Wood Street Galleries, Pittsburgh, US. His works have been exhibited in museums including OCT Museum, Shanghai, CN; K11 Art Village, Wuhan, CN; D-Museum, Seoul, KR; and the National Taiwan Museum of Fine Arts, Taichung,TW. His works have been presented at numerous festivals and events including Elektra, Mutek and International Digital Arts Biennial, Montreal, CA; Biennale N\u00e9mo, Mirage and Bains Num\u00e9riques, FR.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Immersive light installation (21 elements, aluminium, paint, LED, computer, sound, fog, 2021 &#8211; 12 x 4,6 x 4 m).<\/p>\n\n\n\n<p>Conception, realization, sound creation : Olivier Ratsi.<\/p>\n\n\n\n<p>Original creation from the exhibition <em>Heureux soient les f\u00eal\u00e9s, car ils laisseront passer la lumi\u00e8re<\/em>, Monographic exhibition 2021 \/ Paris, France.<br>Curator: Jos Auzende for the Gait\u00e9 Lyrique.<\/p>\n\n\n\n<p>Executive production: Crossed Lab.<\/p>\n\n\n\n<p>Re-adapted creation<meta charset=\"utf-8\"><meta charset=\"utf-8\"> realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris.<\/p>\n\n\n\n<p class=\"is-style-noMarginBottom\">Partner : Lieux Publics.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":11419,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[71,95],"class_list":["post-8526","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11419"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8526"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8526"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}