{"id":8527,"date":"2022-01-13T17:05:46","date_gmt":"2022-01-13T16:05:46","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8527"},"modified":"2022-09-16T11:02:15","modified_gmt":"2022-09-16T09:02:15","slug":"la-caresse","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/la-caresse\/","title":{"rendered":"La Caresse"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong><meta charset=\"utf-8\">La Caresse<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\">TRYPH\u00c8ME &amp; ULYSSE LEFORT<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Live audiovisual<\/h4>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-newyellow-color has-violet-background-color has-text-color has-background\" href=\"https:\/\/chroniques-biennale.org\/event\/parcours-dinstallations-aix-en-provence\/\" target=\"_blank\" rel=\"noreferrer noopener\">Booking<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><em>La Caresse<\/em> is a musical and scenographic project telling the story of one of the Nyx\u2019s children, a vampire, who transgressed the boundaries of the realm of dreams by coming to wander in the realm of daylight. <\/strong><\/p>\n\n\n\n<p>He transforms and corrupts all matter, living or inanimate, with which he comes into contact, gradually depriving things of their own essences to allow his own to penetrate them. He thus carries, along his wanderings, the world towards the darkness of a uniform, cold and sterile nightmare.<\/p>\n\n\n\n<p>After spreading his terrible veil over this world, time finally brings him at nightfall to the threshold of a lonely dwelling, the last place spared. This dwelling shelters Nyx, his mother, in the form of an earthly avatar, who was waiting for him. The latter punishes him and returns this lost child to nothingness, then makes this world disappear in order to allow the birth of a new one within the night.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/05-1024x590.png\" alt=\"\" class=\"wp-image-11260\" width=\"606\" height=\"349\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/05-1024x590.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/05-300x173.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/05-768x442.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/05.png 1056w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Tryph\u00e8me<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"590\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Copie-de-06-1024x590.png\" alt=\"\" class=\"wp-image-11262\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Copie-de-06-1024x590.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Copie-de-06-300x173.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Copie-de-06-768x442.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Copie-de-06.png 1056w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Tryph\u00e8me<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/la-caresse\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/la-caresse\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=La+Caresse&amp;url=https:\/\/chroniques-biennale.org\/en\/la-caresse\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Tryph\u00e8me <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/trypheme.fm\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/trypheme\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/trypheme\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><li><a href=\"https:\/\/soundcloud.com\/trypheme\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-soundcloud\"><\/i><\/a><\/li><\/ul><\/div><div class=\"artisteContent\"><div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Tiphaine Belin, born May 7, 1993, originally from Dro\u0302me. The music of Tryphe\u0300me is one that manages to resonate in the soul the few sensitive strings that we still have left. The strength of this autodidact, now based in Paris, lies in the emotional power of a hybrid music navigating between Experimental, Industrial and Ambient.<\/p>\n<p>Revealed by a first album in the form of a compilation, Online Dating, released in 2017 on CPU Records and which led her to a Boiler Room Sheffield overseen by the Warp label, she has since continued to open up new leads. Her program \u201cDame de C\u0153ur\u201d on LYL Radio is one of them, which reveals to us the always subtle results of her music-loving research. Thanks to the support program of the FGO-Barbara Center, she was also able to build a live of her own, where energies mingle in the same way as the arts. His second album, Thanks God for Air Emotions is yet another indicator of his obsession with music on the surface, an unfiltered conductor of his feelings towards ours.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Ulysse Lefort <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.instagram.com\/___________ulysse\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><li><a href=\"https:\/\/vimeo.com\/642699371\/0b3d5ad4f5\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-vimeo\"><\/i><\/a><\/li><\/ul><\/div><div class=\"artisteContent\"><p>Born in 1984 in Paris, Ulysse Lefort oriented himself during his studies towards animation, 3D, work around interactivity and between image and sound. This led him to learn tools such as Pure Data and VVVV at first, then during its rise as an environment of creation and and experimentation around the imagery, Deep Learning. In parallel to this research, which leads him to work on scenographic projects within the collective Quart Avant Poing with the collective Souk Machine, Pedro Winter or today Tryph\u00e8me, he co-directs short animation films.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\">Trypheme: writing, composition, interpretation<br>Ulysse Lefort: writing, scenography<br>Th3ology: choreography<br>Camille Rolin \/ Rouge Cendre: costumes<br>Yohann Henry: sound design<br>Yann Champelovier: lighting design<\/p>\n\n\n\n<p class=\"is-style-default\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS,<\/strong> supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris. Delegated production: Bip\u00f4le. <\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":11260,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[28,25,27],"class_list":["post-8527","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11260"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8527"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8527"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}