{"id":8530,"date":"2022-01-13T17:06:17","date_gmt":"2022-01-13T16:06:17","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8530"},"modified":"2022-06-21T13:45:39","modified_gmt":"2022-06-21T11:45:39","slug":"woven-songs","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/woven-songs\/","title":{"rendered":"WOVEN SONGS"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">CHANSONs DE TOILE<\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\">LA PULPE<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Performance<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><em>Chansons de Toile<\/em> (<em>Woven Songs<\/em>) is a participative multimedia piece created and performed by the La Pulpe collective. It fuses vocal, gaming, and role play techniques with the aim of giving rise to a transmedia choir.<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">From night-time sessions to digital worlds, Woven Songs will take the audience on a (en)chanted journey in the dead of night. The collective explore the form of a choir whose voices, texts and performance mediums are spread across several platforms, from physical reality to dreams within the virtual worlds. They aim to offer an immersive storytelling experience \u2013 where live singing voices, electronic music, and headphone listening interweave and blend \u2013 which would be broadcast simultaneously in a 3D online universe.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Atelier_LaPulpe.00_01_21_25.Still001-1024x576.jpg\" alt=\"\" class=\"wp-image-11316\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Atelier_LaPulpe.00_01_21_25.Still001-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Atelier_LaPulpe.00_01_21_25.Still001-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Atelier_LaPulpe.00_01_21_25.Still001-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Atelier_LaPulpe.00_01_21_25.Still001-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/01\/Atelier_LaPulpe.00_01_21_25.Still001.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Hugo Bougouin<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/woven-songs\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/woven-songs\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=WOVEN+SONGS&amp;url=https:\/\/chroniques-biennale.org\/en\/woven-songs\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Collectif La Pulpe<\/h2><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">La Pulpe is a research and audio creation sisterhood run by Aur\u00e9lia Nardini, Crys Aslanian, Ludmila Postel and Lola Dubus. It focuses on a modular approach to collective work by blending improvisation and musical composition with entertainment systems such as actual play and virtual worlds. By creating workspaces through research, media and performance, La Pulpe transpose approaches to listening similar to those in Pauline Oliveros\u2019 Sonic Meditations, at the heart of the technical and sensitive space Roy Ascott names the Telematic Embrace.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Credits &amp; acknowledgements<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris. Delegated production: rAAdio cAArgo. Coproduction: <meta charset=\"utf-8\">GMEM \u2014 Centre national de cr\u00e9ation musicale, AMI.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":11316,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[25,26],"class_list":["post-8530","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11316"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8530"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8530"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}