{"id":8997,"date":"2022-02-09T16:52:32","date_gmt":"2022-02-09T15:52:32","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=8997"},"modified":"2022-03-10T10:34:07","modified_gmt":"2022-03-10T09:34:07","slug":"ergonomics","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/ergonomics\/","title":{"rendered":"Ergonomics"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Ergonomics<\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\">Cie Pulso, Rocio Berenguer<\/h2>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Dance performance | video | burlesque<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>Fatigue, stress, bad posture, our body is badly treated in our daily work or in the way we move. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">But to remedy this, <em>Ergonomics<\/em> has solutions. It promises us maximum comfort, safety and efficiency for our bodies in the future if we put its advice into practice\u2026<br>Ergonomics is a fake &#8216;innovative company&#8217; that uses and misuses the codes of &#8216;start-up&#8217; and &#8216;innovation&#8217; discourse. <\/p>\n\n\n\n<p class=\"is-style-default\">During a danced and burlesque conference, in which the spectators are invited to participate, the strange <em>Ergonomics<\/em> team sells its services, with a certain taste for the absurd and the ironic.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/LEchappee-Volee-Jul2018-Ergonomics-Cre\u0301dit-Jacok-Krist-1024x682.jpg\" alt=\"\" class=\"wp-image-8994\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/LEchappee-Volee-Jul2018-Ergonomics-Cre\u0301dit-Jacok-Krist-1024x682.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/LEchappee-Volee-Jul2018-Ergonomics-Cre\u0301dit-Jacok-Krist-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/LEchappee-Volee-Jul2018-Ergonomics-Cre\u0301dit-Jacok-Krist-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/LEchappee-Volee-Jul2018-Ergonomics-Cre\u0301dit-Jacok-Krist-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/LEchappee-Volee-Jul2018-Ergonomics-Cre\u0301dit-Jacok-Krist.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em><meta charset=\"utf-8\"><em>Ergonomics<\/em>, <\/em>Cie Pulso, Rocio Berenguer, Biennale des Imaginaires Num\u00e9riques 2018 \u00a9 Jacok Krist<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/ergonomics\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/ergonomics\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Ergonomics&amp;url=https:\/\/chroniques-biennale.org\/en\/ergonomics\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Rocio Berenguer <sup>(ESP)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/rocio.b.roldan.1\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/rocioberenguerroldan\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/rocioberenguer.com\/\" target=\"_blank\">rocioberenguer.com<\/a><\/div><div class=\"artisteContent\"><p>Born in 1987 in Spain, Rocio Berenguer has been living in France since 2012 and is interested in the major challenges and changes of our contemporary world &#8211; including the evolution of spaces of individual freedom within our society, the place of technology in our daily lives, environmental issues&#8230; Her creations are forward-looking fictions that explore the possibility of \u00abanother tomorrow\u00bb. They also implicitly refer to our contemporary neuroses.<\/p>\n<p>For each creation, Rocio begins a work of investigation and dialogue with scientists that generates a text that then matches with other materials, preferring to hybridize different mediums &#8211; text, dance, videos, digital art &#8211; rather than restrict herself to a single practice. The use of new technologies that are very present in her work is not a fascination but a desire to integrate them into poetic writing while questioning how these technologies, omnipresent in our lives, modify our interpersonal relationships.<\/p>\n<p>In the end, it is the body that is the centre and the point of convergence of her work. The body visited by the social codes of behaviour, the body at the centre of identity, representation and desire issues. The body threatened in its freedom and sovereignty by the arrangements of neocapitalism, the body as territory to be reclaimed.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\"><strong>TEAM :<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">Director, Author and Choreographer: Rocio Berenguer<br>Director and dancer: Marja Christians<br>Dancer: Kevin Table, Patric Sean Gee-Hou Kuo (KUO NINJA, The house of ninja )<br>Graphic design: Gr\u00e9goire Belot<br>Researcher and Dancer: Sarah Fdili Alaoui<br>Researcher, developer and performer: Ignacio Avellino<br>Cameraman: Hector di Napoli and Nayan Ducruet<br>Musical composition and stage management: L\u00e9opold Frey<br>Sound design \/ Smartbody video: Cubenx<br>Stage manager: Sylvain Delbart<\/p>\n\n\n\n<p class=\"is-style-default\">A Pulso and D\u00e9calab production, with the support of the CDA, D&#8217;Enghien-les-Bains, Paris.<\/p>\n\n\n\n<p class=\"is-style-default\"><strong>PARTNERS :<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">CDA D&#8217;Enghien-les-Bains, Paris, France \/ N+N Corsino, Marseille, France \/ TransportTheater, Munich, Germany \/ Syst\u00e8me Castafiore, Grasse, France \/ Sophien Saelen, Berlin, Germany \/ Theatre Acker Stadt Palast, Berlin, Germany \/ KLAP, Maison pour la danse, Marseille, France \/ Le Hublot, Nice, France \/ Drac Ile de France, Laboratoire LIF de L&#8217;universit\u00e9 Aix-Marseille \/ La diagonale Paris-Saclay (Paris)<\/p>\n\n\n\n<p class=\"is-style-default\"><strong>DIFFUSION : <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">AADN &#8211; Arts et cultures num\u00e9riques, Lyon<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":8996,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[26],"class_list":["post-8997","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/8997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/8996"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=8997"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=8997"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}