{"id":9060,"date":"2022-03-09T11:45:41","date_gmt":"2022-03-09T10:45:41","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9060"},"modified":"2022-03-09T11:54:50","modified_gmt":"2022-03-09T10:54:50","slug":"control-no-control","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/control-no-control\/","title":{"rendered":"Control no control"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Control no control<\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">Daniel Iregui<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><em>Control No Control<\/em> interactive installation by Canadian artist Daniel Iregui happily combines everyone fascination for bright lights, sound and interactivity.&nbsp;Using their hands, arms or entire body, <em>Control No Control <\/em>audience can control the graphic display and motion of the installation and its soundscape. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">The most important aim of <em>Control No Control<\/em> is to disrupt what usually happens in the public space by inviting people to move differently, behave differently, and interact differently with those around them. The installation offers people a playful way to explore the way their actions affect their surroundings, and how other people can respond to them. The result is a never-ending dialogue between sound and image, light and movement, yourself and the other.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CONTROL NO CONTROL \u2013 Glow Festival 2013\" src=\"https:\/\/player.vimeo.com\/video\/88193658?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/control-no-control\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/control-no-control\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Control+no+control&amp;url=https:\/\/chroniques-biennale.org\/en\/control-no-control\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Daniel-Iregui_credit_WilliamArcand-1-scaled.jpg\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Daniel Iregui <sup>(QC-CA)<\/sup><\/h2><div class=\"artisteContent\"><p>Born in Bogot\u00e1 in 1981, Daniel Iregui lives and produces his work in Montreal. Iregui&#8217;s work employs technology as a vehicle for a new visual language. He works with the infinite, random combinations that digital systems can produce when manipulated by the public. He is the founder of Iregular, a studio focused on interactive content, founded in 2010. Iregular is a Montreal-based digital art studio that creates audiovisual installations, large-scale sculptures, architectural projections and scenographies, with a focus on interactive and immersive experiences.<br \/>\nAt the crossroads of art and technology, these works experiment with geometry, light, sound, typography, mathematics, algorithms, communication protocols, AI and machine learning. Iregular also develops its own proprietary technologies.<br \/>\nThe studio works with the infinite, random combinations produced by interactive systems that the audience ends up influencing and transforming. Interaction is at the heart of everything. Only the relationship between the public and the installation finalizes the work and gives it meaning. Iregular has a catalog of over 50 artworks that have toured in nearly 30 countries, and has received a long list of awards and prizes for the design, technology and creativity of its productions.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">In partnership with Aix les All\u00e9es<br>With the support of Audioscopevision<\/p>\n<\/div>\n<\/div>\n\n\n<p><!-- \/wp:post-content --><\/p>","protected":false},"featured_media":10358,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[],"class_list":["post-9060","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/10358"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9060"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9060"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}