{"id":9099,"date":"2022-02-11T11:45:33","date_gmt":"2022-02-11T10:45:33","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9099"},"modified":"2022-03-22T11:53:24","modified_gmt":"2022-03-22T10:53:24","slug":"tempsreel","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/tempsreel\/","title":{"rendered":"Temps!r\u00e9el"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Temps!r\u00e9el<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">MAXIME DAMECOUR<\/h2>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Kinetic platform<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>A DIY enthusiast, Maxime Damecour brings together mechanics and matter to animate this poetical installation. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">Just as we can modify a movie by manipulating the film during its editing, we can alter a material that seems solid. This animation causes a strange sensation, allowing the artist to question our relationship with reality<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Tempsre\u0301el_MAXIME_DAMECOUR-12-1024x576.png\" alt=\"\" class=\"wp-image-9096\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Tempsre\u0301el_MAXIME_DAMECOUR-12-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Tempsre\u0301el_MAXIME_DAMECOUR-12-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Tempsre\u0301el_MAXIME_DAMECOUR-12-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Tempsre\u0301el_MAXIME_DAMECOUR-12-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Tempsre\u0301el_MAXIME_DAMECOUR-12.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><meta charset=\"utf-8\"><em>Temps!r\u00e9el<\/em>, Maxime Damecour, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/tempsreel\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/tempsreel\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Temps%21r%C3%A9el&amp;url=https:\/\/chroniques-biennale.org\/en\/tempsreel\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Maxime Damecour<\/h2><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">A multidisciplinary artist based in Montreal, Maxime Damecour calls himself an \u201caudiovisual supermedia artist\u201d. He is passionate about open source and tinkering with technology, promotes the use of free software, and is the co-founder of a hackerspace. After studying cyberarts at Concordia University, he became a member of the Perte de Signal (Loss of Signal) artist centre and works on numerous projects, blending sound, movement, mechanics, plastics and light.<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Airline compatible kinetic sculpture by Maxime Damecour<br>All effects are visible to the naked eye, without heavy flickering.<br>Production : PERTE DE SIGNAL\/ nnvtn.ca<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":9098,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9099","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9098"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9099"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9099"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}