{"id":9267,"date":"2022-02-15T14:56:56","date_gmt":"2022-02-15T13:56:56","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9267"},"modified":"2022-03-18T10:59:09","modified_gmt":"2022-03-18T09:59:09","slug":"hmpitss","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/hmpitss\/","title":{"rendered":"HMPITSS"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">HMPITSS<\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">Cinzia Campolese<\/h2>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Audiovisual installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>In 2006, when the International Astronomical Union modified the criteria to define planets, the count of recognized planets in the solar system dropped from nine to eight.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\"><em>HMPITSS&nbsp;<\/em>is an installation that explores the concept of classification and the desire for control pertaining to it. The piece consists of eight reflective screens onto which are projected four thematic sets of evolving visual symbols, inspired by the different criteria used to define planets: birth, self-awareness, doubt, and hope.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/01_CinziaC_HMPITSS-1024x575.png\" alt=\"\" class=\"wp-image-9264\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/01_CinziaC_HMPITSS-1024x575.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/01_CinziaC_HMPITSS-300x168.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/01_CinziaC_HMPITSS-768x431.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/01_CinziaC_HMPITSS-1536x862.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/01_CinziaC_HMPITSS-2048x1149.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>HMPITSS<\/em>, Cinzia Campolese, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/hmpitss\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/hmpitss\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=HMPITSS&amp;url=https:\/\/chroniques-biennale.org\/en\/hmpitss\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Cinzia Campolese <sup>(ITA)<\/sup><\/h2><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">Cinzia C. is an artist living and working in Montreal, whose work is tied to the art of new media and immersive art installations. She places an emphasis on the creation of audiovisual environments, particularly involving the use of projected light.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Sound design by Rupert Rose<br>With the support of CALQ<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":9266,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9267","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9266"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9267"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9267"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}