{"id":9273,"date":"2022-02-15T15:22:50","date_gmt":"2022-02-15T14:22:50","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9273"},"modified":"2022-03-18T11:02:40","modified_gmt":"2022-03-18T10:02:40","slug":"vision","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/vision\/","title":{"rendered":"Vision"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Vision<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><meta charset=\"utf-8\">DAVID SPRIGGS<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>To fully apprehend\u00a0<em>Vision\u00a0<\/em>requires to move around the installation. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">The shape thus becomes now concave, now convex, and this \u201cvision\u201d is alternately an explosion, an implosion. The Big Bang is made tangible, palpable, thanks to the stratification and superimposition processes, creating a \u201cfoliated space\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"427\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Vision\u00a9DavidSpriggs.jpeg\" alt=\"\" class=\"wp-image-9272\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Vision\u00a9DavidSpriggs.jpeg 640w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Vision\u00a9DavidSpriggs-300x200.jpeg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption><em><meta charset=\"utf-8\"><em>Vision<\/em>, <\/em>David Spriggs, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/vision\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/vision\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Vision&amp;url=https:\/\/chroniques-biennale.org\/en\/vision\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>David Spriggs <sup>(ENG)<\/sup><\/h2><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">David Spriggs is currently based in Vancouver, Canada. He works a lot on the interaction between 2D and 3D. Through his work, he explores the representation and strategies of power, the symbolic meanings of colours, and the thresholds of form and perception. Spriggs uses a technique he refined in 1999 by layering multiple painted images in space to created unique, ephemeral large-scale works of 3D art.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Sound design by Rupert Rose<br>With the support of CALQ<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n<p><!-- \/wp:post-content --><\/p>","protected":false},"featured_media":9272,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9273","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9272"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9273"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9273"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}