{"id":9277,"date":"2022-02-15T15:47:00","date_gmt":"2022-02-15T14:47:00","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9277"},"modified":"2022-03-11T10:18:49","modified_gmt":"2022-03-11T09:18:49","slug":"tentativo-di-volo","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/tentativo-di-volo\/","title":{"rendered":"Tentativo di Volo"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Tentativo di Volo<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">GINO DE DOMINICIS<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Video<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>Gino de Dominicis simply observes that, if Man can swim whereas he\u2019s not a fish, he must be able, in time, to fly. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">He\u2019s thus been repeating the exercise seen on the video for three years, and seems to accept that he\u2019ll never make it. But if he convinces one of his sons to keep on training, who convinces his son in turn, and so on, maybe one of descendants will discover one day that he can fly.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"697\" height=\"557\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Visuel-Gino.jpeg\" alt=\"\" class=\"wp-image-9278\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Visuel-Gino.jpeg 697w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Visuel-Gino-300x240.jpeg 300w\" sizes=\"auto, (max-width: 697px) 100vw, 697px\" \/><figcaption><meta charset=\"utf-8\"><em>Tentativo di volo<\/em>, Gino De Dominicis, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/tentativo-di-volo\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/tentativo-di-volo\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Tentativo+di+Volo&amp;url=https:\/\/chroniques-biennale.org\/en\/tentativo-di-volo\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Gino de Dominicis <sup>(ITA)<\/sup><\/h2><div class=\"artisteContent\"><p>Gino de Dominicis (1947-1998) was one of Italy&#8217;s most revered and mysterious post-war artists. His main themes included space, immortality, and the hidden nature of objects and of matter, while his work remained unwaveringly enigmatic. Though associated with the Arte Povera and Transavanguardia movements, he preferred to reject them to remain a solitary and stoutly independent artist.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; acknowledgements<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Stedelijk Museum Amsterdam, Amsterdam.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n<p><!-- \/wp:post-content --><\/p>","protected":false},"featured_media":9278,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9277","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9278"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9277"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9277"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}