{"id":9287,"date":"2022-02-15T16:11:02","date_gmt":"2022-02-15T15:11:02","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9287"},"modified":"2022-03-18T13:43:58","modified_gmt":"2022-03-18T12:43:58","slug":"cosmorama","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/cosmorama\/","title":{"rendered":"Cosmorama"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Cosmorama<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><meta charset=\"utf-8\">HUGO DEVERCH\u00c8RE<\/h2>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><em>Cosmorama\u00a0<\/em>is a poetical, scientific video allowing us to discover a world fitting the common representations of space. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">And yet, the place we see is actually one of the Canary Islands. Thus questioning our visions of the Earth\u2019s territories, the artist unbalances our mythologies and mindscape related to the space conquest.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"429\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/02_COSMORAMA_V-PROJ_4K-2-39_2-1024x429.png\" alt=\"\" class=\"wp-image-9284\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/02_COSMORAMA_V-PROJ_4K-2-39_2-1024x429.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/02_COSMORAMA_V-PROJ_4K-2-39_2-300x126.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/02_COSMORAMA_V-PROJ_4K-2-39_2-768x321.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/02_COSMORAMA_V-PROJ_4K-2-39_2-1536x643.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/02_COSMORAMA_V-PROJ_4K-2-39_2.png 1701w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>Cosmorama<\/em>, Hugo Deverch\u00e8re, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/cosmorama\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/cosmorama\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Cosmorama&amp;url=https:\/\/chroniques-biennale.org\/en\/cosmorama\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Hugo Deverch\u00e8re <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/hugodeverchere\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/hugodeverchere\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/hugodeverchere.com\" target=\"_blank\">hugodeverchere.com<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">Born in 1988 in Lyon, Hugo Deverch\u00e8re is a graduate of ENSAD Paris and the Le Fresnoy Studio National des Arts Contemporains. His work is a collection of experiences which represent so many leads to investigate and assess our relationship with the world. Be it through accounts, collected data, images that have been captured, produced, or simply found, his research has recourse to modelling, transposition or conversion processes which serve as a prism between real and representation.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-noMarginBottom\">Hugo Deverch\u00e8re<br><em>Cosmorama<\/em>, 2017<br>Produced by Le Fresnoy &#8211; Studio national des arts contemporains with the support of Neuflize OBC<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":9284,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9287","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9284"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9287"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9287"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}