{"id":9317,"date":"2022-02-16T09:47:36","date_gmt":"2022-02-16T08:47:36","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9317"},"modified":"2022-03-10T10:06:48","modified_gmt":"2022-03-10T09:06:48","slug":"rising-carpet","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/rising-carpet\/","title":{"rendered":"Rising Carpet"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Rising Carpet<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">MOUSSA SARR<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Multimedia sculpture<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>The work <em>Rising Carpet<\/em> is a contemporary interpretation of the traditional prayer mat. Indeed, the flying prayer mat symbolizes both the physical and spiritual elevation. It denounces the idiosyncrasy of post-colonial and orientalist visions. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">This mesmerizing work fulfils an old child\u2019s dream: the carpet flies thanks to a drone, an engine normally used to make aerial shots and which is also a characteristic tool of the various current wars. Here, the magic is replaced by technology, which causes the viewer contradictory feelings, between fascination and insecurity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Rising-Carpet_sculpture-multime\u0301dia_-2014_vue-dexposition-Duo-des-chats-2016_VNH-Gallery-1024x682.jpg\" alt=\"\" class=\"wp-image-9314\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Rising-Carpet_sculpture-multime\u0301dia_-2014_vue-dexposition-Duo-des-chats-2016_VNH-Gallery-1024x682.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Rising-Carpet_sculpture-multime\u0301dia_-2014_vue-dexposition-Duo-des-chats-2016_VNH-Gallery-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Rising-Carpet_sculpture-multime\u0301dia_-2014_vue-dexposition-Duo-des-chats-2016_VNH-Gallery-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Rising-Carpet_sculpture-multime\u0301dia_-2014_vue-dexposition-Duo-des-chats-2016_VNH-Gallery-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Rising-Carpet_sculpture-multime\u0301dia_-2014_vue-dexposition-Duo-des-chats-2016_VNH-Gallery-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Rising carpet<\/em>, Moussa Sarr<em>, <\/em>Biennale of Digital Imagination 2018 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/rising-carpet\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/rising-carpet\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Rising+Carpet&amp;url=https:\/\/chroniques-biennale.org\/en\/rising-carpet\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Moussa Sarr <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p>French photographer and video performance artist Moussa Sarr inserts himself into his own art pieces to tackle the themes of difference and sociocultural stereotypes, and to take them down using wit and self-deprecation. This is to draw reactions from the audience and to lead them to reflect upon profound subjects tackled in a light-hearted and ironic way.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Courtesy: Moussa Sarr<br>Co-production: Mus\u00e9e des civilisations de l\u2019Europe et de la M\u00e9dit\u00e9rran\u00e9e<br>Engineering and management: V\u00e9 Production<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n<p><!-- \/wp:post-content --><\/p>","protected":false},"featured_media":9314,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9317","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9314"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9317"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9317"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}