{"id":9321,"date":"2022-02-16T10:08:00","date_gmt":"2022-02-16T09:08:00","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9321"},"modified":"2022-03-22T11:27:11","modified_gmt":"2022-03-22T10:27:11","slug":"war-zone","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/war-zone\/","title":{"rendered":"War Zone"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">War Zone<\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">Nicolas Maigret<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Video<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><em>War Zone<\/em> explores the military background of mainstream technology. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">In this video work based on historical facts, the artist reconstitutes three missile trajectories with a subjective camera angle using Google Earth. These familiar images from space become almost abstract and this vision of Earth invites us to some sort of reverie, at least of escape.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"687\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-03-21-a\u0300-15.44.27-1024x687.png\" alt=\"\" class=\"wp-image-10979\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-03-21-a\u0300-15.44.27-1024x687.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-03-21-a\u0300-15.44.27-300x201.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-03-21-a\u0300-15.44.27-768x515.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-03-21-a\u0300-15.44.27-1536x1030.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-03-21-a\u0300-15.44.27-2048x1374.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>War Zone<\/em>, Nicolas Maigret, Biennale of Digital Imagination 2018<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/war-zone\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/war-zone\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=War+Zone&amp;url=https:\/\/chroniques-biennale.org\/en\/war-zone\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/maigret.jpg\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Nicolas Maigret <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/disnovation.org\/\" target=\"_blank\">https:\/\/disnovation.org\/<\/a><\/div><div class=\"artisteContent\"><p>Nicolas Maigret exposes the inner functioning of the media by exploring their dysfunctions, borderlines, and breaking points. He carries out this exploration using critical, ambiguous and immersive experiences. He launched the working group <a class=\"\" href=\"https:\/\/disnovation.org\/index.php\">disnovation.org<\/a> with which he has carried out a body of research into the \u201cpropaganda of innovation\u201d. He teaches at Parsons (Paris) and co-founded the collective Art of Failure in 2006.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Conception : Nicolas Maigret (<a target=\"_blank\" href=\"http:\/\/disnovation.org\/\" rel=\"noreferrer noopener\">Disnovation.org<\/a>)<br>Programming : Ivan Murit<br>Year : 2014<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n<\/div>\n\n\n<p><!-- \/wp:post-content --><\/p>","protected":false},"featured_media":11093,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9321","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11093"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9321"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9321"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}