{"id":9330,"date":"2022-02-16T10:21:15","date_gmt":"2022-02-16T09:21:15","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9330"},"modified":"2022-03-18T10:33:34","modified_gmt":"2022-03-18T09:33:34","slug":"take-hold-lightly-let-go-lightly","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/take-hold-lightly-let-go-lightly\/","title":{"rendered":"Take hold lightly, let go lightly"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>Take hold lightly, let go lightly<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">Pavitra Wickramasinghe<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>In this kinetic installation, the lighting animates paper planes carefully crafted by the artist. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">They have been engraved with a laser, resulting in lace like objects letting light through. The artist thus gives shape to light, and in the dark, puts the viewer at the heart of the installation. A simple, light and poetical artwork.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/MG_6214_Photo-G.LHeureux.jpg\" alt=\"\" class=\"wp-image-9327\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/MG_6214_Photo-G.LHeureux.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/MG_6214_Photo-G.LHeureux-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/MG_6214_Photo-G.LHeureux-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>Take hold lightly, let go lightly<\/em>, Pavitra Wickramasinghe, Biennale of Digital Imagination 2018 \u00a9 G. L&#8217;Heureux<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Partagez cet \u00e9v\u00e8nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/take-hold-lightly-let-go-lightly\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/take-hold-lightly-let-go-lightly\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Take+hold+lightly%2C+let+go+lightly&amp;url=https:\/\/chroniques-biennale.org\/en\/take-hold-lightly-let-go-lightly\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Pavitra Wickramasinghe <sup>(CAN)<\/sup><\/h2><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">Pavitra Wickramasinghe is an artist living and working in Montreal. She works with different mediums and is interested in the conventions of gaze and in new ways of perceiving the moving image. Her current work explores travel, the fluidity of places, and memory. She uses light and shadow as extensions of the projected image to create installations whereby the beholder occupies a cinematographic space within the work, rather than looking at it from the outside.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Electronics and mechanics by Jonathan Villeneuve and Pierre Gaudet<br>With the support of CALQ<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":9329,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[28,29],"class_list":["post-9330","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9329"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9330"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9330"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}