{"id":9344,"date":"2022-02-16T10:52:35","date_gmt":"2022-02-16T09:52:35","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9344"},"modified":"2022-03-10T10:57:13","modified_gmt":"2022-03-10T09:57:13","slug":"satelliten","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/satelliten\/","title":{"rendered":"Satelliten"},"content":{"rendered":"\n<p><meta charset=\"utf-8\"><\/p>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong><meta charset=\"utf-8\">Satelliten<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\">Quadrature<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong>This both threatening and poetical hybrid sculpture exploits the dualism of the carpet and of the drone. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">Through the figures of the magic carpet and the drone, an ultra-technological machine, the artist questions the use of drones and evokes the ancestral dream of flying, a magical and dangerous adventure.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"834\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018_Chroniques_Les-Oeuvres-Marseille_-Satelliten_QuadratureCREDIT_Pierre-Gondard_-16-1024x834.jpg\" alt=\"\" class=\"wp-image-10361\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018_Chroniques_Les-Oeuvres-Marseille_-Satelliten_QuadratureCREDIT_Pierre-Gondard_-16-1024x834.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018_Chroniques_Les-Oeuvres-Marseille_-Satelliten_QuadratureCREDIT_Pierre-Gondard_-16-300x244.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018_Chroniques_Les-Oeuvres-Marseille_-Satelliten_QuadratureCREDIT_Pierre-Gondard_-16-768x625.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018_Chroniques_Les-Oeuvres-Marseille_-Satelliten_QuadratureCREDIT_Pierre-Gondard_-16-1536x1251.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018_Chroniques_Les-Oeuvres-Marseille_-Satelliten_QuadratureCREDIT_Pierre-Gondard_-16-2048x1668.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Satelliten<\/em>, Quadrature<em>, <\/em>Biennale of Digital Imagination 2018 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/satelliten\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/satelliten\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Satelliten&amp;url=https:\/\/chroniques-biennale.org\/en\/satelliten\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Quadrature <sup>(GER)<\/sup><\/h2><div class=\"artisteContent\"><p>This Berlin collective is made up of Julian G\u00f6tz and Sebastian Neitsch and formerly Jan Bernstein (until 2016). Graduates from the Burg Giebichenstein University of Art and Design in Halle, Germany, the three of them all share a common interest in robotics, machinery, light and space. As Quadrature, they produce art at the intersection of the physical and digital worlds where art and science meet.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; acknowledgements<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-noMarginBottom\">Coproduction Mus\u00e9e des civilisations de l&#8217;Europe et de la M\u00e9dit\u00e9rran\u00e9e, Ing\u00e9nierie et pilotage V\u00e9 Production.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":10361,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[71],"class_list":["post-9344","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/10361"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9344"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9344"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}