{"id":9575,"date":"2022-02-21T10:10:46","date_gmt":"2022-02-21T09:10:46","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9575"},"modified":"2022-03-10T09:58:03","modified_gmt":"2022-03-10T08:58:03","slug":"laser-like-water","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/laser-like-water\/","title":{"rendered":"Laser like water"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Laser like water<\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\">Jean-S\u00e9bastien Baillat<\/h2>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default wp-block-paragraph\"><strong>On the camp&#8217;s swimming pool, Canadian artist Jean-Sebastien Baillat presents the installation Laser Like Water.<\/strong><\/p>\n\n\n\n<p class=\"is-style-default wp-block-paragraph\">He is one of the founders of the Montreal-based graphic design and multimedia firm Baillat Cardell &amp; fls and has notably participated in MUTEK for a scenography and visuals for the main stages of the Quebec festival.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"442\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-10.07.40.png\" alt=\"\" class=\"wp-image-9567\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-10.07.40.png 788w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-10.07.40-300x168.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-10.07.40-768x431.png 768w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><figcaption><meta charset=\"utf-8\"><em>Laser like water<\/em>, Jean-S\u00e9bastien Baillat, Biennale of Digital Imagination 2018 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default wp-block-paragraph\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/laser-like-water\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/laser-like-water\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Laser+like+water&amp;url=https:\/\/chroniques-biennale.org\/en\/laser-like-water\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-10.07.40.png\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Albertine Meunier <sup>(FR)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.instagram.com\/albertinemeunier\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"www.albertinemeunier.net\" target=\"_blank\">albertinemeunier.net<\/a><\/div><div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">N\u00e9e en 1964, Albertine Meunier vit et travaille \u00e0 Paris et Vitry sur Seine.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Elle pratique l\u2019art dit num\u00e9rique depuis 1998 et utilise Internet comme mat\u00e9riau de cr\u00e9ation. Elle explore l\u2019essence d\u2019une po\u00e9sie, d\u2019une esth\u00e9tique du num\u00e9rique et des r\u00e9seaux. Elle cultive les formes simples, minimales, semblant parfois \u00abbricol\u00e9es\u00bb, volontairement loin de l\u2019hyper-technicit\u00e9 de certains dispositifs num\u00e9riques.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ces travaux questionnent, autant de mani\u00e8re critique que ludique, les grands acteurs de l\u2019internet tel que Google, Twitter ou Facebook et le nouveau monde qui nous entoure.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Elle tente dans ses recherches et pi\u00e8ces cr\u00e9\u00e9es \u00e0 r\u00e9v\u00e9ler l\u2019invisible ou la po\u00e9sie des choses num\u00e9riques.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Albertine d\u00e9roule le fil d\u2019une po\u00e9sie ludique, impertinente et dr\u00f4le. Elle est DataDada et cela se voit!<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\"><\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":9567,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9575","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9567"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9575"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9575"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}